Edgar Lee Masters was an American attorney, poet, biographer, and dramatist. He is the author of Spoon River Anthology, The New Star Chamber and Other Essays, Songs and Satires, The Great Valley, The Serpent in the Wilderness, An Obscure Tale, The Spleen, Mark Twain: A Portrait, Lincoln: The Man, and Illinois Poems.
If you’re searching for famous poems ever that perfectly capture what you’d like to say or just want to feel inspired yourself, browse through an amazing collection of greatest Kenneth Slessor poems, powerful Richard Wilbur poems and most known George Gordon Byron poems.
Famous Edgar Lee Masters Poems
A chaplain in the army,
A chaplain in the prisons,
An exhorter in Spoon River,
Drunk with divinity, Spoon River —
Yet bringing poor Eliza Johnson to shame,
And myself to scorn and wretchedness.
But why will you never see that love of women,
And even love of wine,
Are the stimulants by which the soul, hungering for divinity,
Reaches the ecstatic vision
And sees the celestial outposts?
Only after many trials for strength,
Only when all stimulants fail,
Does the aspiring soul
By its own sheer power
Find the divine
By resting upon itself.
Here! You sons of the men
Who fought with Washington at Valley Forge,
And whipped Black Hawk at Starved Rock,
Arise! Do battle with the descendants of those
Who bought land in the loop when it was waste sand,
And sold blankets and guns to the army of Grant,
And sat in legislatures in the early days,
Taking bribes from the railroads!
Arise! Do battle with the fops and bluffs,
The pretenders and figurantes of the society column
And the yokel souls whose daughters marry counts;
And the parasites on great ideas,
And the noisy riders of great causes,
And the heirs of ancient thefts.
Arise! And make the city yours,
And the State yours —
You who are sons of the hardy yeomanry of the forties!
By God! If you do not destroy these vermin
My avenging ghost will wipe out
Your city and your state.
I was among multitudes of children
Dancing at the foot of a mountain.
A breeze blew out of the east and swept them as leaves,
Driving some up the slopes…. All was changed.
Here were flying lights, and mystic moons, and dream-music.
A cloud fell upon us. When it lifted all was changed.
I was now amid multitudes who were wrangling.
Then a figure in shimmering gold, and one with a trumpet,
And one with a sceptre stood before me.
They mocked me and danced a rigadoon and vanished….
All was changed again. Out of a bower of poppies
A woman bared her breasts and lifted her open mouth to mine.
I kissed her. The taste of her lips was like salt.
She left blood on my lips. I fell exhausted.
I arose and ascended higher, but a mist as from an iceberg
Clouded my steps. I was cold and in pain.
Then the sun streamed on me again,
And I saw the mists below me hiding all below them.
And I, bent over my staff, knew myself
Silhouetted against the snow. And above me
Was the soundless air, pierced by a cone of ice,
Over which hung a solitary star!
A shudder of ecstasy, a shudder of fear
Ran through me. But I could not return to the slopes —
Nay, I wished not to return.
For the spent waves of the symphony of freedom
Lapped the ethereal cliffs about me.
Therefore I climbed to the pinnacle.
I flung away my staff.
I touched that star
With my outstretched hand.
I vanished utterly.
For the mountain delivers to Infinite Truth
Whosoever touches the star!
We stand about this place — we, the memories;
And shade our eyes because we dread to read:
“June 17th, 1884, aged 21 years and 3 days.”
And all things are changed.
And we — we, the memories, stand here for ourselves alone,
For no eye marks us, or would know why we are here.
Your husband is dead, your sister lives far away,
Your father is bent with age;
He has forgotten you, he scarcely leaves the house
No one remembers your exquisite face,
Your lyric voice!
How you sang, even on the morning you were stricken,
With piercing sweetness, with thrilling sorrow,
Before the advent of the child which died with you.
It is all forgotten, save by us, the memories,
Who are forgotten by the world.
All is changed, save the river and the hill —
Even they are changed.
Only the burning sun and the quiet stars are the same.
And we — we, the memories, stand here in awe,
Our eyes closed with the weariness of tears —
In immeasurable weariness!
Almost the shell of a woman after the surgeon’s knife!
And almost a year to creep back into strength,
Till the dawn of our wedding decennial
Found me my seeming self again.
We walked the forest together,
By a path of soundless moss and turf.
But I could not look in your eyes,
And you could not look in my eyes,
For such sorrow was ours — the beginning of gray in your hair,
And I but a shell of myself.
And what did we talk of? — sky and water,
Anything, ‘most, to hide our thoughts.
And then your gift of wild roses,
Set on the table to grace our dinner.
Poor heart, how bravely you struggled
To imagine and live a remembered rapture!
Then my spirit drooped as the night came on,
And you left me alone in my room for a while,
As you did when I was a bride, poor heart.
And I looked in the mirror and something said:
“One should be all dead when one is half-dead —
Nor ever mock life, nor ever cheat love.”
And I did it looking there in the mirror —
Dear, have you ever understood?
Henry C. Calhoun
I reached the highest place in Spoon River,
But through what bitterness of spirit!
The face of my father, sitting speechless,
Child-like, watching his canaries,
And looking at the court-house window
Of the county judge’s room,
And his admonitions to me to seek
My own in life, and punish Spoon River
To avenge the wrong the people did him,
Filled me with furious energy
To seek for wealth and seek for power.
But what did he do but send me along
The path that leads to the grove of the Furies?
I followed the path and I tell you this:
On the way to the grove you’ll pass the Fates,
Shadow-eyed, bent over their weaving.
Stop for a moment, and if you see
The thread of revenge leap out of the shuttle,
Then quickly snatch from Atropos
The shears and cut it, lest your sons,
And the children of them and their children
Wear the envenomed robe.
I was a gun-smith in Odessa.
One night the police broke in the room
Where a group of us were reading Spencer.
And seized our books and arrested us.
But I escaped and came to New York
And thence to Chicago, and then to Spoon River,
Where I could study my Kant in peace
And eke out a living repairing guns!
Look at my moulds! My architectonics!
One for a barrel, one for a hammer,
And others for other parts of a gun!
Well, now suppose no gun-smith living
Had anything else but duplicate moulds
Of these I show you — well, all guns
Would be just alike, with a hammer to hit
The cap and a barrel to carry the shot,
All acting alike for themselves, and all
Acting against each other alike.
And there would be your world of guns!
Which nothing could ever free from itself
Except a Moulder with different moulds
To mould the metal over.
Samuel is forever talking of his elm —
But I did not need to die to learn about roots:
I, who dug all the ditches about Spoon River.
Look at my elm!
Sprung from as good a seed as his,
Sown at the same time,
It is dying at the top:
Not from lack of life, nor fungus,
Nor destroying insect, as the sexton thinks.
Look, Samuel, where the roots have struck rock,
And can no further spread.
And all the while the top of the tree
Is tiring itself out, and dying,
Trying to grow.
Harry Carey Goodhue
You never marveled, dullards of Spoon River,
When Chase Henry voted against the saloons
To revenge himself for being shut off.
But none of you was keen enough
To follow my steps, or trace me home
As Chase’s spiritual brother.
Do you remember when I fought
The bank and the courthouse ring,
For pocketing the interest on public funds?
And when I fought our leading citizens
For making the poor the pack-horses of the taxes?
And when I fought the water-works
For stealing streets and raising rates?
And when I fought the business men
Who fought me in these fights?
Then do you remember:
That staggering up from the wreck of defeat,
And the wreck of a ruined career,
I slipped from my cloak my last ideal,
Hidden from all eyes until then,
Like the cherished jawbone of an ass,
And smote the bank and the water works,
And the business men with prohibition,
And made Spoon River pay the cost
Of the fights that I had lost?
Hon. Henry Bennett
It never came into my mind
Until I was ready to die
That Jenny had loved me to death, with malice of heart.
For I was seventy, she was thirty-five,
And I wore myself to a shadow trying to husband
Jenny, rosy Jenny full of the ardor of life.
For all my wisdom and grace of mind
Gave her no delight at all, in very truth,
But ever and anon she spoke of the giant strength
Of Willard Shafer, and of his wonderful feat
Of lifting a traction engine out of the ditch
One time at Georgie Kirby’s.
So Jenny inherited my fortune and married Willard —
That mount of brawn! That clownish soul!
On A Picture Of John D. Rockefeller
If thou, Columbia, dost from this, thy son–
The condor beak and python eyes–recoil,
Bethink thee of the years that Freedom’s soil
Was husbanded by devil-feet which run
To scatter lies and wrongs; until thereon
Huge growths do thrive, once meadow, by the toil
Of pioneers; where now resort for spoil
The mouths and beaks that hunt for carrion.
In years to come, if men mid the debris
Of this republic shall explore the cause
Of vast decay, two faces will appear:
The perjured Marshall, who with sorcery
Planted the jungle of unequal laws,
And this huge reptile, now a nation’s Fear!
Well, don’t you see this was the way of it:
We bought the farm with what he inherited,
And his brothers and sisters accused him of poisoning
His fathers mind against the rest of them.
And we never had any peace with our treasure.
The murrain took the cattle, and the crops failed.
And lightning struck the granary.
So we mortgaged the farm to keep going.
And he grew silent and was worried all the time.
Then some of the neighbors refused to speak to us,
And took sides with his brothers and sisters.
And I had no place to turn, as one may say to himself,
At an earlier time in life; “No matter,
So and so is my friend, or I can shake this off
With a little trip to Decatur.”
Then the dreadfulest smells infested the rooms.
So I set fire to the beds and the old witch-house
Went up in a roar of flame,
As I danced in the yard with waving arms,
While he wept like a freezing steer.
Observe the clasped hands!
Are they hands of farewell or greeting,
Hands that I helped or hands that helped me?
Would it not be well to carve a hand
With an inverted thumb, like Elagabalus?
And yonder is a broken chain,
The weakest-link idea perhaps —
But what was it?
And lambs, some lying down,
Others standing, as if listening to the shepherd —
Others bearing a cross, one foot lifted up —
Why not chisel a few shambles?
And fallen columns! Carve the pedestal, please,
Or the foundations; let us see the cause of the fall.
And compasses and mathematical instruments,
In irony of the under tenants’ ignorance
Of determinants and the calculus of variations.
And anchors, for those who never sailed.
And gates ajar — yes, so they were;
You left them open and stray goats entered your garden.
And an eye watching like one of the Arimaspi —
So did you — with one eye.
And angels blowing trumpets — you are heralded —
It is your horn and your angel and your family’s estimate.
It is all very well, but for myself I know
I stirred certain vibrations in Spoon River
Which are my true epitaph, more lasting than stone.
Doc Meyers said I had satyriasis,
And Doc Hill called it leucaemia —
But I know what brought me here:
I was sixty-four but strong as a man
Of thirty-five or forty.
And it wasn’t writing a letter a day,
And it wasn’t late hours seven nights a week,
And it wasn’t the strain of thinking of Minnie,
And it wasn’t fear or a jealous dread,
Or the endless task of trying to fathom
Her wonderful mind, or sympathy
For the wretched life she led
With her first and second husband —
It was none of these that laid me low —
But the clamor of daughters and threats of sons,
And the sneers and curses of all my kin
Right up to the day I sneaked to Peoria
And married Minnie in spite of them —
And why do you wonder my will was made
For the best and purest of women?
I tried to win the nomination
For president of the County-board
And I made speeches all over the County
Denouncing Solomon Purple, my rival,
As an enemy of the people,
In league with the master-foes of man.
Young idealists, broken warriors,
Hobbling on one crutch of hope,
Souls that stake their all on the truth,
Losers of worlds at heaven’s bidding,
Flocked about me and followed my voice
As the savior of the County.
But Solomon won the nomination;
And then I faced about,
And rallied my followers to his standard,
And made him victor, made him King
Of the Golden Mountain with the door
Which closed on my heels just as I entered,
Flattered by Solomon’s invitation,
To be the County — board’s secretary.
And out in the cold stood all my followers:
Young idealists, broken warriors
Hobbling on one crutch of hope —
Souls that staked their all on the truth,
Losers of worlds at heaven’s bidding,
Watching the Devil kick the Millennium
Over the Golden Mountain.
They told me I had three months to live,
So I crept to Bernadotte,
And sat by the mill for hours and hours
Where the gathered waters deeply moving
Seemed not to move:
O world, that’s you!
You are but a widened place in the river
Where Life looks down and we rejoice for her
Mirrored in us, and so we dream
And turn away, but when again
We look for the face, behold the low-lands
And blasted cotton-wood trees where we empty
Into the larger stream!
But here by the mill the castled clouds
Mocked themselves in the dizzy water;
And over its agate floor at night
The flame of the moon ran under my eyes
Amid a forest stillness broken
By a flute in a hut on the hill.
At last when I came to lie in bed
Weak and in pain, with the dreams about me,
The soul of the river had entered my soul,
And the gathered power of my soul was moving
So swiftly it seemed to be at rest
Under cities of cloud and under
Spheres of silver and changing worlds —
Until I saw a flash of trumpets
Above the battlements over Time!
Were you not ashamed, fellow citizens,
When my estate was probated and everyone knew
How small a fortune I left?–
You who hounded me in life,
To give, give, give to the churches, to the poor,
To the village!–me who had already given much.
And think you not I did not know
That the pipe-organ, which I gave to the church,
Played its christening songs when Deacon Rhodes,
Who broke and all but ruined me,
Worshipped for the first time after his acquittal?
My thanks, friends of the County Scientific Association,
For this modest boulder,
And its little tablet of bronze.
Twice I tried to join your honored body,
And was rejected,
And when my little brochure
On the intelligence of plants
Began to attract attention
You almost voted me in.
After that I grew beyond the need of you
And your recognition.
Yet I do not reject your memorial stone,
Seeing that I should, in so doing,
Deprive you of honor to yourselves.
Horses and men are just alike.
There was my stallion, Billy Lee,
Black as a cat and trim as a deer,
With an eye of fire, keen to start,
And he could hit the fastest speed
Of any racer around Spoon River.
But just as you’d think he couldn’t lose,
With his lead of fifty yards or more,
He’d rear himself and throw the rider,
And fall back over, tangled up,
Completely gone to pieces.
You see he was a perfect fraud:
He couldn’t win, he couldn’t work,
He was too light to haul or plow with,
And no one wanted colts from him.
And when I tried to drive him — well,
He ran away and killed me.
Give me strength to endure
The gifts of the Muses,
Daughters of Memory.
When the sky is blue as Minerva’s eyes
Let me stand unshaken;
When the sea sings to the rising sun
Let me be unafraid;
When the meadow lark falls like a meteor
Through the light of afternoon,
An unloosened fountain of rapture,
Keep my heart from spilling
Its vital power;
When at the dawn
The dim souls of crocuses hear the calls
Of waking birds,
Give me to live but master the loveliness.
Keep my eyes unharmed from splendors
Unveiled by you,
And my ears at peace
Filled no less with the music
Of Passion and Pain, growth and change.
But O ye sacred and terrible powers,
Reckless of my mortality,
Strengthen me to behold a face,
To know the spirit of a beloved one
Yet to endure, yet to dare!