Gertrude Stein was an American novelist, poet, playwright, and art collector. Born in the Allegheny West neighborhood of Pittsburgh and raised in Oakland, California, Stein moved to Paris in 1903
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Famous Gertrude Stein Poems
America
Once in English they said America. Was it English to them.
Once they said Belgian.
We like a fog.
Do you for weather.
Are we brave.
Are we true.
Have we the national colour.
Can we stand ditches.
Can we mean well.
Do we talk together.
Have we red cross.
A great many people speak of feet.
And socks.
New
We knew.
Anne to come.
Anne to come.
Be new.
Be new too.
Anne to come
Anne to come
Be new
Be new too.
And anew.
Anne to come.
Anne anew.
Anne do come.
Anne do come too, to come and to come not to come and as to
and new, and new too.
Anne do come.
Anne knew.
Anne to come.
Anne anew.
Anne to come.
And as new.
Anne to come to come too.
Half of it.
Was she
Windows
Was she
Or mine
Was she
Or as she
For she or she or sure.
Enable her to say.
And enable her to say.
Or half way.
Sitting down.
Half sitting down.
And another way.
Their ships
And please.
As the other side.
And another side
Incoming
Favorable and be fought.
Adds to it.
In half.
Take the place of take the place of take the place of taking
place.
Take the place of in places.
Take the place of taken in place of places.
Take the place of it, she takes it in the place of it. In the way
of arches architecture.
Who has seen shown
You do.
Hoodoo.
If can in countenance to countenance a countenance as in as
seen.
Change it.
Not nearly so much.
He had.
She had.
Had she.
He had nearly very nearly as much.
She had very nearly as much as had had.
Had she.
She had.
Loose loosen, Loose losten to losten, to lose.
Many.
If a little if as little if as little as that.
If as little as that, if it is as little as that that is if it is very nearly all of it, her dear her dear does not mention a ball at all.
Actually.
As to this.
Actually as to this.
High or do you do it.
Actually as to this high or do you do it.
Not how do you do it.
Actually as to this.
Not having been or not having been nor having been or not
having been.
Interrupted.
All of this makes it unanxiously.
Feel so.
Add to it.
As add to it.
He.
He.
As add to it.
As add to it.
As he
As he as add to it.
He.
As he
Add to it.
Not so far.
Constantly as seen.
Not as far as to mean.
I mean I mean.
Constantly.
As far.
So far.
Forbore.
He forbore.
To forbear.
Their forbears.
Plainly.
In so far.
Instance.
For instance.
In so far.
A Mounted Umbrella
WHAT was the use of not leaving it there where it would hang what was the use if there was no chance of ever seeing it come there and show that it was handsome and right in the way it showed it. The lesson is to learn that it does show it, that it shows it and that nothing, that there is nothing, that there is no more to do about it and just so much more is there plenty of reason for making an exchange.
Stanzas In Meditation: Stanza Xiii
There may be pink with white or white with rose
Or there may be white with rose and pink with mauve
Or even there may be white with yellow and yellow with blue
Or even if even it is rose with white and blue
And so there is no yellow there but by accident.
Stanzas In Meditation: Stanza Xiv
She need not be selfish but he may add
They like my way it is partly mine
In which case for them to foil or not please
Come which they may they may in June.
Not having all made plenty by their wish
In their array all which they plan
Should they be called covered by which
It is fortunately their stay that they may
In which and because it suits them to fan
Not only not with clover but with may it matter
That not only at a distance and with nearly
That they ran for which they will not only plan
But may be rain can be caught by the hills
Just as well as they can with what they have
And they may have it not only because of this
But because they may be here.
Or is it at all likely that they arrange what they like.
Nohody knows just why they are or are not anxious
While they sit and watch the horse which rests
Not because he is tired but because they are waiting
To say will they wait with them in their way
Only to say it relieves them that they go away
This is what they feel when they like it
Most of them do or which
It is very often their need not to be either
Just why they are after all made quickly faster
Just as they might do.
It is what they did say when they mentioned it
Or this.
It is very well to go up and down and look more
Than they could please that they see where
It is better that they are there
Stanzas In Meditation: Stanza Xv
Should they may be they might if they delight
In why they must see it be there not only necessarily
But which they might in which they might
For which they might delight if they look there
And they see there that they look there
To see it be there which it is if it is
Which may be where where it is
If they do not occasion it to be different
From what it is.
In one direction there is the sun and the moon
In the other direction there are cumulus clouds and the sky
In the other direction there is why
They look at what they see
They look very long while they talk along
And they may be said to see that at which they look
Whenever there is no chance of its not being warmer
Than if they wish which they were.
They see that they have what is there may there
Be there also what is to be there if they may care
They care for it of course they care for it.
Now only think three times roses green and blue
And vegetables and pumpkins and pansies too
Which they like as they are very likely not to be
Reminded that it is more than ever necessary
That they should never be surprised at any one time
At just what they have been given by taking what they have
Which they are very careful not to add with
As they may easily indulge in the fragrance
Not only of which but by which they know
That they tell them so.
Guillaume Apollinaire
Give known or pin ware.
Fancy teeth, gas strips.
Elbow elect, sour stout pore, pore caesar, pour state at.
Leave eye lessons I. Leave I. Lessons. I. Leave I lessons, I.
The House Was Just Twinkling In The Moon Light
The house was just twinkling in the moon light,
And inside it twinkling with delight,
Is my baby bright.
Twinkling with delight in the house twinkling
with the moonlight,
Bless my baby bless my baby bright,
Bless my baby twinkling with delight,
In the house twinkling in the moon light,
Her hubby dear loves to cheer when he thinks
and he always thinks when he knows and he always
knows that his blessed baby wifey is all here and he
is all hers, and sticks to her like burrs, blessed baby
CHICKEN.
Pheasant and chicken, chicken is a peculiar third.
CHICKEN.
Alas a dirty word, alas a dirty third alas a dirty third, alas a dirty bird.
CHICKEN.
Alas a doubt in case of more go to say what it is cress. What is it. Mean. Why. Potato. Loaves.
CHICKEN.
Stick stick call then, stick stick sticking, sticking with a chicken. Sticking in a extra succession, sticking in.
21
I love my love with a v
Because it is like that
I love my love with a b
Because I am beside that
A king.
I love my love with an a
Because she is a queen
I love my love and a a is the best of them
Think well and be a king,
Think more and think again
I love my love with a dress and a hat
I love my love and not with this or with that
I love my love with a y because she is my bride
I love her with a d because she is my love beside
Thank you for being there
Nobody has to care
Thank you for being here
Because you are not there.
And with and without me which is and without she she can be late and then and how and all around we think and found that it is time to cry she and I.
A Red Hat
A dark grey, a very dark grey, a quite dark grey is monstrous ordinarily, it is so monstrous because there is no red in it. If red is in everything it is not necessary. Is that not an argument for any use of it and even so is there any place that is better, is there any place that has so much stretched out.
A Blue Coat
A blue coat is guided guided away, guided and guided away, that is the particular color that is used for that length and not any width not even more than a shadow.
A LIGHT IN THE MOON
A light in the moon the only light is on Sunday. What was the sensible decision. The sensible decision was that notwithstanding many declarations and more music, not even notwithstanding the choice and a torch and a collection, notwithstanding the celebrating hat and a vacation and even more noise than cutting, notwithstanding Europe and Asia and being overbearing, not even notwithstanding an elephant and a strict occasion, not even withstanding more cultivation and some seasoning, not even with drowning and with the ocean being encircling, not even with more likeness and any cloud, not even with terrific sacrifice of pedestrianism and a special resolution, not even more likely to be pleasing. The care with which the rain is wrong and the green is wrong and the white is wrong, the care with which there is a chair and plenty of breathing. The care with which there is incredible justice and likeness, all this makes a magnificent asparagus, and also a fountain.
APPLE
Apple plum, carpet steak, seed clam, colored wine, calm seen, cold cream, best shake, potato, potato and no no gold work with pet, a green seen is called bake and change sweet is bready, a little piece a little piece please.
A little piece please. Cane again to the presupposed and ready eucalyptus tree, count out sherry and ripe plates and little corners of a kind of ham. This is use.
A CHAIR.
A widow in a wise veil and more garments shows that shadows are even. It addresses no more, it shadows the stage and learning. A regular arrangement, the severest and the most preserved is that which has the arrangement not more than always authorised.
A suitable establishment, well housed, practical, patient and staring, a suitable bedding, very suitable and not more particularly than complaining, anything suitable is so necessary.
A fact is that when the direction is just like that, no more, longer, sudden and at the same time not any sofa, the main action is that without a blaming there is no custody.
Practice measurement, practice the sign that means that really means a necessary betrayal, in showing that there is wearing.
Hope, what is a spectacle, a spectacle is the resemblance between the circular side place and nothing else, nothing else.
To choose it is ended, it is actual and more than that it has it certainly has the same treat, and a seat all that is practiced and more easily much more easily ordinarily.
Pick a barn, a whole barn, and bend more slender accents than have ever been necessary, shine in the darkness necessarily. Actually not aching, actually not aching, a stubborn bloom is so artificial and even more than that, it is a spectacle, it is a binding accident, it is animosity and accentuation.
If the chance to dirty diminishing is necessary, if it is why is there no complexion, why is there no rubbing, why is there no special protection.
A BOX.
A large box is handily made of what is necessary to replace any substance. Suppose an example is necessary, the plainer it is made the more reason there is for some outward recognition that there is a result.
A box is made sometimes and them to see to see to it neatly and to have the holes stopped up makes it necessary to use paper.
A custom which is necessary when a box is used and taken is that a large part of the time there are three which have different connections. The one is on the table. The two are on the table. The three are on the table. The one, one is the same length as is shown by the cover being longer. The other is different there is more cover that shows it. The other is different and that makes the corners have the same shade the eight are in singular arrangement to make four necessary.
Lax, to have corners, to be lighter than some weight, to indicate a wedding journey, to last brown and not curious, to be wealthy, cigarettes are established by length and by doubling.
Left open, to be left pounded, to be left closed, to be circulating in summer and winter, and sick color that is grey that is not dusty and red shows, to be sure cigarettes do measure an empty length sooner than a choice in color.
Winged, to be winged means that white is yellow and pieces pieces that are brown are dust color if dust is washed off, then it is choice that is to say it is fitting cigarettes sooner than paper.
An increase why is an increase idle, why is silver cloister, why is the spark brighter, if it is brighter is there any result, hardly more than ever.
A CARAFE, THAT IS A BLIND GLASS.
A kind in glass and a cousin, a spectacle and nothing strange a single hurt color and an arrangement in a system to pointing. All this and not ordinary, not unordered in not resembling. The difference is spreading.
GLAZED GLITTER.
Nickel, what is nickel, it is originally rid of a cover.
The change in that is that red weakens an hour. The change has come. There is no search. But there is, there is that hope and that interpretation and sometime, surely any is unwelcome, sometime there is breath and there will be a sinecure and charming very charming is that clean and cleansing. Certainly glittering is handsome and convincing.
There is no gratitude in mercy and in medicine. There can be breakages in Japanese. That is no programme. That is no color chosen. It was chosen yesterday, that showed spitting and perhaps washing and polishing. It certainly showed no obligation and perhaps if borrowing is not natural there is some use in giving.
A SUBSTANCE IN A CUSHION.
The change of color is likely and a difference a very little difference is prepared. Sugar is not a vegetable.
Callous is something that hardening leaves behind what will be soft if there is a genuine interest in there being present as many girls as men. Does this change. It shows that dirt is clean when there is a volume.
A cushion has that cover. Supposing you do not like to change, supposing it is very clean that there is no change in appearance, supposing that there is regularity and a costume is that any the worse than an oyster and an exchange. Come to season that is there any extreme use in feather and cotton. Is there not much more joy in a table and more chairs and very likely roundness and a place to put them.
A circle of fine card board and a chance to see a tassel.
What is the use of a violent kind of delightfulness if there is no pleasure in not getting tired of it. The question does not come before there is a quotation. In any kind of place there is a top to covering and it is a pleasure at any rate there is some venturing in refusing to believe nonsense. It shows what use there is in a whole piece if one uses it and it is extreme and very likely the little things could be dearer but in any case there is a bargain and if there is the best thing to do is to take it away and wear it and then be reckless be reckless and resolved on returning gratitude.
Light blue and the same red with purple makes a change. It shows that there is no mistake. Any pink shows that and very likely it is reasonable. Very likely there should not be a finer fancy present. Some increase means a calamity and this is the best preparation for three and more being together. A little calm is so ordinary and in any case there is sweetness and some of that.
A seal and matches and a swan and ivy and a suit.
A closet, a closet does not connect under the bed. The band if it is white and black, the band has a green string. A sight a whole sight and a little groan grinding makes a trimming such a sweet singing trimming and a red thing not a round thing but a white thing, a red thing and a white thing.
The disgrace is not in carelessness nor even in sewing it comes out out of the way.
What is the sash like. The sash is not like anything mustard it is not like a same thing that has stripes, it is not even more hurt than that, it has a little top.
A BOX.
Out of kindness comes redness and out of rudeness comes rapid same question, out of an eye comes research, out of selection comes painful cattle. So then the order is that a white way of being round is something suggesting a pin and is it disappointing, it is not, it is so rudimentary to be analysed and see a fine substance strangely, it is so earnest to have a green point not to red but to point again.
A PIECE OF COFFEE.
More of double.
A place in no new table.
A single image is not splendor. Dirty is yellow. A sign of more in not mentioned. A piece of coffee is not a detainer. The resemblance to yellow is dirtier and distincter. The clean mixture is whiter and not coal color, never more coal color than altogether.
The sight of a reason, the same sight slighter, the sight of a simpler negative answer, the same sore sounder, the intention to wishing, the same splendor, the same furniture.
The time to show a message is when too late and later there is no hanging in a blight.
A not torn rose-wood color. If it is not dangerous then a pleasure and more than any other if it is cheap is not cheaper. The amusing side is that the sooner there are no fewer the more certain is the necessity dwindled. Supposing that the case contained rose-wood and a color. Supposing that there was no reason for a distress and more likely for a number, supposing that there was no astonishment, is it not necessary to mingle astonishment.
The settling of stationing cleaning is one way not to shatter scatter and scattering. The one way to use custom is to use soap and silk for cleaning. The one way to see cotton is to have a design concentrating the illusion and the illustration. The perfect way is to accustom the thing to have a lining and the shape of a ribbon and to be solid, quite solid in standing and to use heaviness in morning. It is light enough in that. It has that shape nicely. Very nicely may not be exaggerating. Very strongly may be sincerely fainting. May be strangely flattering. May not be strange in everything. May not be strange to.
DIRT AND NOT COPPER.
Dirt and not copper makes a color darker. It makes the shape so heavy and makes no melody harder.
It makes mercy and relaxation and even a strength to spread a table fuller. There are more places not empty. They see cover.
NOTHING ELEGANT.
A charm a single charm is doubtful. If the red is rose and there is a gate surrounding it, if inside is let in and there places change then certainly something is upright. It is earnest.
MILDRED’S UMBRELLA.
A cause and no curve, a cause and loud enough, a cause and extra a loud clash and an extra wagon, a sign of extra, a sac a small sac and an established color and cunning, a slender grey and no ribbon, this means a loss a great loss a restitution.
A METHOD OF A CLOAK.
A single climb to a line, a straight exchange to a cane, a desperate adventure and courage and a clock, all this which is a system, which has feeling, which has resignation and success, all makes an attractive black silver.
A RED STAMP.
If lilies are lily white if they exhaust noise and distance and even dust, if they dusty will dirt a surface that has no extreme grace, if they do this and it is not necessary it is not at all necessary if they do this they need a catalogue.
An occasion for a plate, an occasional resource is in buying and how soon does washing enable a selection of the same thing neater. If the party is small a clever song is in order.
Plates and a dinner set of colored china. Pack together a string and enough with it to protect the centre, cause a considerable haste and gather more as it is cooling, collect more trembling and not any even trembling, cause a whole thing to be a church.
A sad size a size that is not sad is blue as every bit of blue is precocious. A kind of green a game in green and nothing flat nothing quite flat and more round, nothing a particular color strangely, nothing breaking the losing of no little piece.
A splendid address a really splendid address is not shown by giving a flower freely, it is not shown by a mark or by wetting.
Cut cut in white, cut in white so lately. Cut more than any other and show it. Show it in the stem and in starting and in evening coming complication.
A lamp is not the only sign of glass. The lamp and the cake are not the only sign of stone. The lamp and the cake and the cover are not the only necessity altogether.
A plan a hearty plan, a compressed disease and no coffee, not even a card or a change to incline each way, a plan that has that excess and that break is the one that shows filling.
What is the current that makes machinery, that makes it crackle, what is the current that presents a long line and a necessary waist. What is this current.
What is the wind, what is it.
Where is the serene length, it is there and a dark place is not a dark place, only a white and red are black, only a yellow and green are blue, a pink is scarlet, a bow is every color. A line distinguishes it. A line just distinguishes it.
Idem the Same: A Valentine to Sherwood Anderson
I knew too that through them I knew too that he was through, I knew too that he threw them. I knew too that they were through, I knew too I knew too, I knew I knew them.
I knew to them.
If they tear a hunter through, if they tear through a hunter, if they tear through a hunt and a hunter, if they tear through different sizes of the six, the different sizes of the six which are these, a woman with a white package under one arm and a black package under the other arm and dressed in brown with a white blouse, the second Saint Joseph the third a hunter in a blue coat and black garters and a plaid cap, a fourth a knife grinder who is full faced and a very little woman with black hair and a yellow hat and an excellently smiling appropriate soldier. All these as you please.
In the meantime examples of the same lily. In this way please have you rung.
WHAT DO I SEE?
A very little snail.
A medium sized turkey.
A small band of sheep.
A fair orange tree.
All nice wives are like that.
Listen to them from here.
Oh.
You did not have an answer.
Here.
Yes.
A VERY VALENTINE.
Very fine is my valentine.
Very fine and very mine.
Very mine is my valentine very mine and very fine.
Very fine is my valentine and mine, very fine very mine and mine is my valentine.
WHY DO YOU FEEL DIFFERENTLY.
Why do you feel differently about a very little snail and a big one.
Why do you feel differently about a medium sized turkey and a very large one.
Why do you feel differently about a small band of sheep and several sheep that are riding.
Why do you feel differently about a fair orange tree and one that has blossoms as well.
Oh very well.
All nice wives are like that.
To Be
No Please.
To Be
They can please
Not to be
Do they please.
Not to be
Do they not please
Yes please.
Do they please
No please.
Do they not please
No please.
Do they please.
Please.
If you please.
And if you please.
And if they please
And they please.
To be pleased
Not to be pleased.
Not to be displeased.
To be pleased and to please.
KNEELING
One two three four five six seven eight nine and ten.
The tenth is a little one kneeling and giving away a rooster with this feeling.
I have mentioned one, four five seven eight and nine.
Two is also giving away an animal.
Three is changed as to disposition.
Six is in question if we mean mother and daughter, black and black caught her, and she offers to be three she offers it to me.
That is very right and should come out below and just so.
BUNDLES FOR THEM.
A HISTORY OF GIVING BUNDLES.
We are able to notice that each one in a way carried a bundle, they were not a trouble to them nor were they all bundles as some of them were chickens some of them pheasants some of them sheep and some of them bundles, they were not a trouble to them and then indeed we learned that it was the principal recreation and they were so arranged that they were not given away, and to-day they were given away.
I will not look at them again.
They will not look for them again.
They have not seen them here again.
They are in there and we hear them again.
In which way are stars brighter than they are. When we have come to this decision. We mention many thousands of buds. And when I close my eyes I see them.
If you hear her snore
It is not before you love her
You love her so that to be her beau is very lovely
She is sweetly there and her curly hair is very lovely
She is sweetly here and I am very near and that is very lovely.
She is my tender sweet and her little feet are stretched out well which is a treat and very lovely
Her little tender nose is between her little eyes which close and are very lovely.
She is very lovely and mine which is very lovely.
ON HER WAY.
If you can see why she feel that she kneels if you can see why he knows that he shows what he bestows, if you can see why they share what they share, need we question that there is no doubt that by this time if they had intended to come they would have sent some notice of such intention. She and they and indeed the decision itself is not early dissatisfaction.
IN THIS WAY.
Keys please, it is useless to alarm any one it is useless to alarm some one it is useless to be alarming and to get fertility in gardens in salads in heliotrope and in dishes. Dishes and wishes are mentioned and dishes and wishes are not capable of darkness. We like sheep. And so does he.
LET US DESCRIBE.
Let us describe how they went. It was a very windy night and the road although in excellent condition and extremely well graded has many turnings and although the curves are not sharp the rise is considerable. It was a very windy night and some of the larger vehicles found it more prudent not to venture. In consequence some of those who had planned to go were unable to do so. Many others did go and there was a sacrifice, of what shall we, a sheep, a hen, a cock, a village, a ruin, and all that and then that having been blessed let us bless it.
