Henry Wadsworth Longfellow was an American poet and educator whose works include “Paul Revere’s Ride”, The Song of Hiawatha, and Evangeline. He was also the first American to translate Dante Alighieri’s Divine Comedy and was one of the Fireside Poets from New England.
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Famous Henry Wadsworth Longfellow Poems
Tales Of A Wayside Inn : Part 3. Prelude
The evening came; the golden vane
A moment in the sunset glanced,
Then darkened, and then gleamed again,
As from the east the moon advanced
And touched it with a softer light;
While underneath, with flowing mane,
Upon the sign the Red Horse pranced,
And galloped forth into the night.
But brighter than the afternoon
That followed the dark day of rain,
And brighter than the golden vane
That glistened in the rising moon,
Within the ruddy fire-light gleamed;
And every separate window-pane,
Backed by the outer darkness, showed
A mirror, where the flamelets gleamed
And flickered to and fro, and seemed
A bonfire lighted in the road.
Amid the hospitable glow,
Like an old actor on the stage,
With the uncertain voice of age,
The singing chimney chanted low
The homely songs of long ago.
The voice that Ossian heard of yore,
When midnight winds were in his hall;
A ghostly and appealing call,
A sound of days that are no more!
And dark as Ossian sat the Jew,
And listened to the sound, and knew
The passing of the airy hosts,
The gray and misty cloud of ghosts
In their interminable flight;
And listening muttered in his beard,
With accent indistinct and weird,
‘Who are ye, children of the Night?’
Beholding his mysterious face,
‘Tell me,’ the gay Sicilian said,
‘Why was it that in breaking bread
At supper, you bent down your head
And, musing, paused a little space,
As one who says a silent grace?’
The Jew replied, with solemn air,
‘I said the Manichaean’s prayer.
It was his faith,–perhaps is mine,–
That life in all its forms is one,
And that its secret conduits run
Unseen, but in unbroken line,
From the great fountain-head divine
Through man and beast, through grain and grass.
Howe’er we struggle, strive, and cry,
From death there can be no escape,
And no escape from life, alas
Because we cannot die, but pass
From one into another shape:
It is but into life we die.
‘Therefore the Manichaean said
This simple prayer on breaking bread,
Lest he with hasty hand or knife
Might wound the incarcerated life,
The soul in things that we call dead:
‘I did not reap thee, did not bind thee,
I did not thrash thee, did not grind thee,
Nor did I in the oven bake thee!
It was not I, it was another
Did these things unto thee, O brother;
I only have thee, hold thee, break thee!”
‘That birds have souls I can concede,’
The Poet cried, with glowing cheeks;
‘The flocks that from their beds of reed
Uprising north or southward fly,
And flying write upon the sky
The biforked letter of the Greeks,
As hath been said by Rucellai;
All birds that sing or chirp or cry,
Even those migratory bands,
The minor poets of the air,
The plover, peep, and sanderling,
That hardly can be said to sing,
But pipe along the barren sands,–
All these have souls akin to ours;
So hath the lovely race of flowers:
Thus much I grant, but nothing more.
The rusty hinges of a door
Are not alive because they creak;
This chimney, with its dreary roar,
These rattling windows, do not speak!’
‘To me they speak,’ the Jew replied;
‘And in the sounds that sink and soar,
I hear the voices of a tide
That breaks upon an unknown shore!’
Here the Sicilian interfered:
‘That was your dream, then, as you dozed
A moment since, with eyes half-closed,
And murmured something in your beard.’
The Hebrew smiled, and answered, ‘Nay;
Not that, but something very near;
Like, and yet not the same, may seem
The vision of my waking dream;
Before it wholly dies away,
Listen to me, and you shall hear.’
Tales Of A Wayside Inn : Part 3. Interlude Vii.
Touched by the pathos of these rhymes,
The Theologian said: ‘All praise
Be to the ballads of old times
And to the bards of simple ways,
Who walked with Nature hand in hand,
Whose country was their Holy Land,
Whose singing robes were homespun brown
From looms of their own native town,
Which they were not ashamed to wear,
And not of silk or sendal gay,
Nor decked with fanciful array
Of cockle-shells from Outre-Mer.’
To whom the Student answered: ‘Yes;
All praise and honor! I confess
That bread and ale, home-baked, home-brewed,
Are wholesome and nutritious food,
But not enough for all our needs;
Poets–the best of them–are birds
Of passage; where their instinct leads
They range abroad for thoughts and words,
And from all climes bring home the seeds
That germinate in flowers or weeds.
They are not fowls in barnyards born
To cackle o’er a grain of corn;
And, if you shut the horizon down
To the small limits of their town,
What do you but degrade your bard
Till he at last becomes as one
Who thinks the all-encircling sun
Rises and sets in his back yard?’
The Theologian said again:
‘It may be so; yet I maintain
That what is native still is best,
And little care I for the rest.
‘T is a long story; time would fail
To tell it, and the hour is late;
We will not waste it in debate,
But listen to our Landlord’s tale.’
And thus the sword of Damocles
Descending not by slow degrees,
But suddenly, on the Landlord fell,
Who blushing, and with much demur
And many vain apologies,
Plucking up heart, began to tell
The Rhyme of one Sir Christopher.
Tales Of A Wayside Inn : Part 3. Interlude Vi.
Now that is after my own heart,’
The Poet cried; ‘one understands
Your swarthy hero Scanderbeg,
Gauntlet on hand and boot on leg,
And skilled in every warlike art,
Riding through his Albanian lands,
And following the auspicious star
That shone for him o’er Ak-Hissar.’
The Theologian added here
His word of praise not less sincere,
Although he ended with a jibe;
‘The hero of romance and song
Was born,’ he said, ‘to right the wrong;
And I approve; but all the same
That bit of treason with the Scribe
Adds nothing to your hero’s fame.’
The Student praised the good old times,
And liked the canter of the rhymes,
That had a hoofbeat in their sound;
But longed some further word to hear
Of the old chronicler Ben Meir,
And where his volume might he found.
The tall Musician walked the room
With folded arms and gleaming eyes,
As if he saw the Vikings rise,
Gigantic shadows in the gloom;
And much he talked of their emprise
And meteors seen in Northern skies,
And Heimdal’s horn, and day of doom.
But the Sicilian laughed again;
‘This is the time to laugh,’ he said,
For the whole story he well knew
Was an invention of the Jew,
Spun from the cobwebs in his brain,
And of the same bright scarlet thread
As was the Tale of Kambalu.
Only the Landlord spake no word;
‘T was doubtful whether he had heard
The tale at all, so full of care
Was he of his impending fate,
That, like the sword of Damocles,
Above his head hung blank and bare,
Suspended by a single hair,
So that he could not sit at ease,
But sighed and looked disconsolate,
And shifted restless in his chair,
Revolving how he might evade
The blow of the descending blade.
The Student came to his relief
By saying in his easy way
To the Musician: ‘Calm your grief,
My fair Apollo of the North,
Balder the Beautiful and so forth;
Although your magic lyre or lute
With broken strings is lying mute,
Still you can tell some doleful tale
Of shipwreck in a midnight gale,
Or something of the kind to suit
The mood that we are in to-night
For what is marvellous and strange;
So give your nimble fancy range,
And we will follow in its flight.’
But the Musician shook his head;
‘No tale I tell to-night,’ he said,
‘While my poor instrument lies there,
Even as a child with vacant stare
Lies in its little coffin dead.’
Yet, being urged, he said at last:
‘There comes to me out of the Past
A voice, whose tones are sweet and wild,
Singing a song almost divine,
And with a tear in every line;
An ancient ballad, that my nurse
Sang to me when I was a child,
In accents tender as the verse;
And sometimes wept, and sometimes smiled
While singing it, to see arise
The look of wonder in my eyes,
And feel my heart with terror beat.
This simple ballad I retain
Clearly imprinted on my brain,
And as a tale will now repeat.’
Tales Of A Wayside Inn : Part 2. The Poet’s Tale; Lady Wentworth
One hundred years ago, and something more,
In Queen Street, Portsmouth, at her tavern door,
Neat as a pin, and blooming as a rose,
Stood Mistress Stavers in her furbelows,
Just as her cuckoo-clock was striking nine.
Above her head, resplendent on the sign,
The portrait of the Earl of Halifax,
In scarlet coat and periwig of flax,
Surveyed at leisure all her varied charms,
Her cap, her bodice, her white folded arms,
And half resolved, though he was past his prime,
And rather damaged by the lapse of time,
To fall down at her feet and to declare
The passion that had driven him to despair.
For from his lofty station he had seen
Stavers, her husband, dressed in bottle-green,
Drive his new Flying Stage-coach, four in hand,
Down the long lane, and out into the land,
And knew that he was far upon the way
To Ipswich and to Boston on the Bay!
Just then the meditations of the Earl
Were interrupted by a little girl,
Barefooted, ragged, with neglected hair,
Eyes full of laughter, neck and shoulders bare,
A thin slip of a girl, like a new moon,
Sure to be rounded into beauty soon,
A creature men would worship and adore,
Though now in mean habiliments she bore
A pail of water, dripping, through the street
And bathing, as she went, her naked feet.
It was a pretty picture, full of grace,–
The slender form, the delicate, thin face;
The swaying motion, as she hurried by;
The shining feet, the laughter in her eye,
That o’er her face in ripples gleamed and glanced,
As in her pail the shifting sunbeam danced:
And with uncommon feelings of delight
The Earl of Halifax beheld the sight.
Not so Dame Stavers, for he heard her say
These words, or thought he did, as plain as day:
‘O Martha Hilton! Fie! how dare you go
About the town half dressed, and looking so!’
At which the gypsy laughed, and straight replied:
‘No matter how I look; I yet shall ride
In my own chariot, ma’am.’ And on the child
The Earl of Halifax benignly smiled,
As with her heavy burden she passed on,
Looked back, then turned the corner, and was gone.
What next, upon that memorable day,
Arrested his attention was a gay
And brilliant equipage, that flashed and spun,
The silver harness glittering in the sun,
Outriders with red jackets, lithe and lank,
Pounding the saddles as they rose and sank,
While all alone within the chariot sat
A portly person with three-cornered hat,
A crimson velvet coat, head high in air,
Gold-headed cane, and nicely powdered hair,
And diamond buckles sparkling at his knees,
Dignified, stately, florid, much at ease.
Onward the pageant swept, and as it passed,
Fair Mistress Stavers courtesied low and fast;
For this was Governor Wentworth, driving down
To Little Harbor, just beyond the town,
Where his Great House stood looking out to sea,
A goodly place, where it was good to be.
It was a pleasant mansion, an abode_
Near and yet hidden from the great high-road,
Sequestered among trees, a noble pile,
Baronial and colonial in its style;
Gables and dormer-windows everywhere,
And stacks of chimneys rising high in air,–
Pandaean pipes, on which all winds that blew
Made mournful music the whole winter through.
Within, unwonted splendors met the eye,
Panels, and floors of oak, and tapestry;
Carved chimney-pieces, where on brazen dogs
Revelled and roared the Christmas fires of logs;
Doors opening into darkness unawares,
Mysterious passages, and flights of stairs;
And on the walls, in heavy gilded frames,
The ancestral Wentworths with Old-Scripture names.
Such was the mansion where the great man dwelt.
A widower and childless; and he felt
The loneliness, the uncongenial gloom,
That like a presence haunted every room;
For though not given to weakness, he could feel
The pain of wounds, that ache because they heal.
The years came and the years went,–seven in all,
And passed in cloud and sunshine o’er the Hall;
The dawns their splendor through its chambers shed,
The sunsets flushed its western windows red;
The snow was on its roofs, the wind, the rain;
Its woodlands were in leaf and bare again;
Moons waxed and waned, the lilacs bloomed and died,
In the broad river ebbed and flowed the tide,
Ships went to sea, and ships came home from sea,
And the slow years sailed by and ceased to be.
And all these years had Martha Hilton served
In the Great House, not wholly unobserved:
By day, by night, the silver crescent grew,
Though hidden by clouds, her light still shining through;
A maid of all work, whether coarse or fine,
A servant who made service seem divine!
Through her each room was fair to look upon;
The mirrors glistened, and the brasses shone,
The very knocker on the outer door,
If she but passed, was brighter than before.
And now the ceaseless turning of the mill
Of Time, that never for an hour stands still,
Ground out the Governor’s sixtieth birthday,
And powdered his brown hair with silver-gray.
The robin, the forerunner of the spring,
The bluebird with his jocund carolling,
The restless swallows building in the eaves,
The golden buttercups, the grass, the leaves,
The lilacs tossing in the winds of May,
All welcomed this majestic holiday!
He gave a splendid banquet served on plate,
Such as became the Governor of the State,
Who represented England and the King,
And was magnificent in everything.
He had invited all his friends and peers,–
The Pepperels, the Langdons, and the Lears,
The Sparhawks, the Penhallows, and the rest;
For why repeat the name of every guest?
But I must mention one in bands and gown,
The rector there, the Reverend Arthur Brown
Of the Established Church; with smiling face
He sat beside the Governor and said grace;
And then the feast went on, as others do,
But ended as none other I e’er knew.
When they had drunk the King, with many a cheer,
The Governor whispered in a servant’s ear,
Who disappeared and presently there stood
Within the room, in perfect womanhood,
A maiden, modest and yet self-possessed,
Youthful and beautiful, and simply dressed.
Can this be Martha Hilton? It must be!
Yes, Martha Hilton, and no other she!
Dowered with the beauty of her twenty years,
How ladylike, how queenlike she appears;
The pale, thin crescent of the days gone by
Is Dian now in all her majesty!
Yet scarce a guest perceived that she was there,
Until the Governor, rising from his chair,
Played slightly with his ruffles, then looked down,
And said unto the Reverend Arthur Brown:
‘This is my birthday: it shall likewise be
My wedding-day; and you shall marry me!’
The listening guests were greatly mystified,
None more so than the rector, who replied:
‘Marry you? Yes, that were a pleasant task,
Your Excellency; but to whom? I ask.’
The Governor answered: ‘To this lady here;’
And beckoned Martha Hilton to draw near.
She came and stood, all blushes, at his side.
The rector paused. The impatient Governor cried:
‘This is the lady; do you hesitate?
Then I command you as Chief Magistrate.’
The rector read the service loud and clear:
‘Dearly beloved, we are gathered here,’
And so on to the end. At his command
On the fourth finger of her fair left hand
The Governor placed the ring; and that was all:
Martha was Lady Wentworth of the Hall!
Tales Of A Wayside Inn
The cabin windows have grown blank
As eyeballs of the dead;
No more the glancing sunbeams burn
On the gilt letters of the stern,
But on the figure-head;
On Valdemar Victorious,
Who looketh with disdain
To see his image in the tide
Dismembered float from side to side,
And reunite again.
‘It is the wind,’ those skippers said,
‘That swings the vessel so;
It is the wind; it freshens fast,
‘T is time to say farewell at last
‘T is time for us to go.’
They shook the captain by the hand,
‘Goodluck! goodluck!’ they cried;
Each face was like the setting sun,
As, broad and red, they one by one
Went o’er the vessel’s side.
The sun went down, the full moon rose,
Serene o’er field and flood;
And all the winding creeks and bays_
And broad sea-meadows seemed ablaze,
The sky was red as blood.
The southwest wind blew fresh and fair,
As fair as wind could be;
Bound for Odessa, o’er the bar,
With all sail set, the Valdemar
Went proudly out to sea.
The lovely moon climbs up the sky
As one who walks in dreams;
A tower of marble in her light,
A wall of black, a wall of white,
The stately vessel seems.
Low down upon the sandy coast
The lights begin to burn;
And now, uplifted high in air,
They kindle with a fiercer glare,
And now drop far astern.
The dawn appears, the land is gone,
The sea is all around;
Then on each hand low hills of sand
Emerge and form another land;
She steereth through the Sound.
Through Kattegat and Skager-rack
She flitteth like a ghost;
By day and night, by night and day,
She bounds, she flies upon her way
Along the English coast.
Cape Finisterre is drawing near,
Cape Finisterre is past;
Into the open ocean stream
She floats, the vision of a dream
Too beautiful to last.
Suns rise and set, and rise, and yet
There is no land in sight;
The liquid planets overhead
Burn brighter now the moon is dead,
And longer stays the night.
Tales Of A Wayside Inn : Part 1. The Student’s Tale; The Falcon Of Ser Federigo
One summer morning, when the sun was hot,
Weary with labor in his garden-plot,
On a rude bench beneath his cottage eaves,
Ser Federigo sat among the leaves
Of a huge vine, that, with its arms outspread,
Hung its delicious clusters overhead.
Below him, through the lovely valley flowed
The river Arno, like a winding road,
And from its banks were lifted high in air
The spires and roofs of Florence called the Fair;
To him a marble tomb, that rose above
His wasted fortunes and his buried love.
For there, in banquet and in tournament,
His wealth had lavished been, his substance spent,
To woo and lose, since ill his wooing sped,
Monna Giovanna, who his rival wed,
Yet ever in his fancy reigned supreme,
The ideal woman of a young man’s dream.
Then he withdrew, in poverty and pain,
To this small farm, the last of his domain,
His only comfort and his only care
To prune his vines, and plant the fig and pear;
His only forester and only guest
His falcon, faithful to him, when the rest,
Whose willing hands had found so light of yore
The brazen knocker of his palace door,
Had now no strength to lift the wooden latch,
That entrance gave beneath a roof of thatch.
Companion of his solitary ways,
Purveyor of his feasts on holidays,
On him this melancholy man bestowed
The love with which his nature overflowed.
And so the empty-handed years went round,
Vacant, though voiceful with prophetic sound,
And so, that summer morn, he sat and mused
With folded, patient hands, as he was used,
And dreamily before his half-closed sight
Floated the vision of his lost delight.
Beside him, motionless, the drowsy bird
Dreamed of the chase, and in his slumber heard
The sudden, scythe-like sweep of wings, that dare
The headlong plunge through eddying gulfs of air,
Then, starting broad awake upon his perch,
Tinkled his bells, like mass-bells in a church,
And, looking at his master, seemed to say,
‘Ser Federigo, shall we hunt to-day?’
Ser Federigo thought not of the chase;
The tender vision of her lovely face,
I will not say he seems to see, he sees
In the leaf-shadows of the trellises,
Herself, yet not herself; a lovely child
With flowing tresses, and eyes wide and wild,
Coming undaunted up the garden walk,
And looking not at him, but at the hawk.
‘Beautiful falcon!’ said he, ‘would that I
Might hold thee on my wrist, or see thee fly!’
The voice was hers, and made strange echoes start
Through all the haunted chambers of his heart,
As an aeolian harp through gusty doors
Of some old ruin its wild music pours.
‘Who is thy mother, my fair boy?’ he said,
His hand laid softly on that shining head.
‘Monna Giovanna. Will you let me stay
A little while, and with your falcon play?
We live there, just beyond your garden wall,
In the great house behind the poplars tall.’
So he spake on; and Federigo heard
As from afar each softly uttered word,
And drifted onward through the golden gleams
And shadows of the misty sea of dreams,
As mariners becalmed through vapors drift,
And feel the sea beneath them sink and lift,
And hear far off the mournful breakers roar,
And voices calling faintly from the shore!
Then, waking from his pleasant reveries
He took the little boy upon his knees,
And told him stories of his gallant bird,
Till in their friendship he became a third.
Monna Giovanna, widowed in her prime,
Had come with friends to pass the summer time
In her grand villa, half-way up the hill,
O’erlooking Florence, but retired and still;
With iron gates, that opened through long lines
Of sacred ilex and centennial pines,
And terraced gardens, and broad steps of stone,
And sylvan deities, with moss o’ergrown,
And fountains palpitating in the heat,
And all Val d’Arno stretched beneath its feet.
Here in seclusion, as a widow may,
The lovely lady whiled the hours away,
Pacing in sable robes the statued hall,
Herself the stateliest statue among all,
And seeing more and more, with secret joy,
Her husband risen and living in her boy,
Till the lost sense of life returned again,
Not as delight, but as relief from pain.
Meanwhile the boy, rejoicing in his strength,
Stormed down the terraces from length to length;
The screaming peacock chased in hot pursuit,
And climbed the garden trellises for fruit.
But his chief pastime was to watch the flight
Of a gerfalcon, soaring into sight,
Beyond the trees that fringed the garden wall,
Then downward stooping at some distant call;
And as he gazed full often wondered he
Who might the master of the falcon be,
Until that happy morning, when he found
Master and falcon in the cottage ground.
And now a shadow and a terror fell
On the great house, as if a passing-bell
Tolled from the tower, and filled each spacious room
With secret awe, and preternatural gloom;
The petted boy grew ill, and day by day
Pined with mysterious malady away.
The mother’s heart would not be comforted;
Her darling seemed to her already dead,
And often, sitting by the sufferer’s side,
‘What can I do to comfort thee?’ she cried.
At first the silent lips made no reply,
But moved at length by her importunate cry,
‘Give me,’ he answered, with imploring tone,
‘Ser Federigo’s falcon for my own!’
No answer could the astonished mother make;
How could she ask, e’en for her darling’s sake,
Such favor at a luckless lover’s hand,
Well knowing that to ask was to command?
Well knowing, what all falconers confessed,
In all the land that falcon was the best,
The master’s pride and passion and delight,
And the sole pursuivant of this poor knight.
But yet, for her child’s sake, she could no less
Than give assent to soothe his restlessness,
So promised, and then promising to keep
Her promise sacred, saw him fall asleep.
The morrow was a bright September morn;
The earth was beautiful as if new-born;
There was that nameless splendor everywhere,
That wild exhilaration in the air,
Which makes the passers in the city street
Congratulate each other as they meet.
Two lovely ladies, clothed in cloak and hood,
Passed through the garden gate into the wood,
Under the lustrous leaves, and through the sheen
Of dewy sunshine showering down between.
The one, close-hooded, had the attractive grace
Which sorrow sometimes lends a woman’s face;
Her dark eyes moistened with the mists that roll
From the gulf-stream of passion in the soul;
The other with her hood thrown back, her hair
Making a golden glory in the air,
Her cheeks suffused with an auroral blush,
Her young heart singing louder than the thrush.
So walked, that morn, through mingled light and shade,
Each by the other’s presence lovelier made,
Monna Giovanna and her bosom friend,
Intent upon their errand and its end.
They found Ser Federigo at his toil,
Like banished Adam, delving in the soil;
And when he looked and these fair women spied,
The garden suddenly was glorified;
His long-lost Eden was restored again,
And the strange river winding through the plain
No longer was the Arno to his eyes,
But the Euphrates watering Paradise!
Monna Giovanna raised her stately head,
And with fair words of salutation said:
‘Ser Federigo, we come here as friends,
Hoping in this to make some poor amends
For past unkindness. I who ne’er before
Would even cross the threshold of your door,
I who in happier days such pride maintained,
Refused your banquets, and your gifts disdained,
This morning come, a self-invited guest,
To put your generous nature to the test,
And breakfast with you under your own vine.’
To which he answered: ‘Poor desert of mine,
Not your unkindness call it, for if aught
Is good in me of feeling or of thought,
From you it comes, and this last grace outweighs
All sorrows, all regrets of other days.’
And after further compliment and talk,
Among the asters in the garden walk
He left his guests; and to his cottage turned,
And as he entered for a moment yearned
For the lost splendors of the days of old,
The ruby glass, the silver and the gold,
And felt how piercing is the sting of pride,
By want embittered and intensified.
He looked about him for some means or way
To keep this unexpected holiday;
Searched every cupboard, and then searched again,
Summoned the maid, who came, but came in vain;
‘The Signor did not hunt to-day,’ she said,
‘There’s nothing in the house but wine and bread.’
Then suddenly the drowsy falcon shook
His little bells, with that sagacious look,
Which said, as plain as language to the ear,
‘If anything is wanting, I am here!’
Yes, everything is wanting, gallant bird!
The master seized thee without further word.
Like thine own lure, he whirled thee round; ah me!
The pomp and flutter of brave falconry,
The bells, the jesses, the bright scarlet hood,
The flight and the pursuit o’er field and wood,
All these forevermore are ended now;
No longer victor, but the victim thou!
Then on the board a snow-white cloth he spread,
Laid on its wooden dish the loaf of bread,
Brought purple grapes with autumn sunshine hot,
The fragrant peach, the juicy bergamot;
Then in the midst a flask of wine he placed,
And with autumnal flowers the banquet graced.
Ser Federigo, would not these suffice
Without thy falcon stuffed with cloves and spice?
When all was ready, and the courtly dame
With her companion to the cottage came,
Upon Ser Federigo’s brain there fell
The wild enchantment of a magic spell!
The room they entered, mean and low and small,
Was changed into a sumptuous banquet-hall,
With fanfares by aerial trumpets blown;
The rustic chair she sat on was a throne;
He ate celestial food, and a divine
Flavor was given to his country wine,
And the poor falcon, fragrant with his spice,
A peacock was, or bird of paradise!
When the repast was ended, they arose
And passed again into the garden-close.
Then said the lady, ‘Far too well I know,
Remembering still the days of long ago,
Though you betray it not with what surprise
You see me here in this familiar wise.
You have no children, and you cannot guess
What anguish, what unspeakable distress
A mother feels, whose child is lying ill,
Nor how her heart anticipates his will.
And yet for this, you see me lay aside
All womanly reserve and check of pride,
And ask the thing most precious in your sight,
Your falcon, your sole comfort and delight,
Which if you find it in your heart to give,
My poor, unhappy boy perchance may live.’
Ser Federigo listens, and replies,
With tears of love and pity in his eyes:
‘Alas, dear lady! there can be no task
So sweet to me, as giving when you ask.
One little hour ago, if I had known
This wish of yours, it would have been my own.
But thinking in what manner I could best
Do honor to the presence of my guest,
I deemed that nothing worthier could be
Than what most dear and precious was to me,
And so my gallant falcon breathed his last
To furnish forth this morning our repast.’
In mute contrition, mingled with dismay,
The gentle lady turned her eyes away,
Grieving that he such sacrifice should make,
And kill his falcon for a woman’s sake,
Yet feeling in her heart a woman’s pride,
That nothing she could ask for was denied;
Then took her leave, and passed out at the gate
With footstep slow and soul disconsolate.
Three days went by, and lo! a passing-bell
Tolled from the little chapel in the dell;
Ten strokes Ser Federigo heard, and said,
Breathing a prayer, ‘Alas! her child is dead!’
Three months went by; and lo! a merrier chime
Rang from the chapel bells at Christmas-time;
The cottage was deserted, and no more
Ser Federigo sat beside its door,
But now, with servitors to do his will,
In the grand villa, half-way up the hill,
Sat at the Christmas feast, and at his side
Monna Giovanna, his beloved bride,
Never so beautiful, so kind, so fair,
Enthroned once more in the old rustic chair,
High-perched upon the back of which there stood
The image of a falcon carved in wood,
And underneath the inscription, with date,
‘All things come round to him who will but wait.’
Tales Of A Wayside Inn : Part 1. The Musician’s Tale; The Saga Of King Olaf Xxii. — The Nun Of Nidaros
In the convent of Drontheim,
Alone in her chamber
Knelt Astrid the Abbess,
At midnight, adoring,
The Virgin and Mother.
She heard in the silence
The voice of one speaking,
Without in the darkness,
In gusts of the night-wind,
Now louder, now nearer,
Now lost in the distance.
The voice of a stranger
It seemed as she listened,
Of some one who answered,
A cry from afar off
She could not distinguish.
The voice of Saint John,
The beloved disciple,
Who wandered and waited
The Master’s appearance,
Alone in the darkness,
Unsheltered and friendless.
‘It is accepted
The angry defiance,
The challenge of battle!
It is accepted,
But not with the weapons
Of war that thou wieldest!
‘Cross against corselet,
Love against hatred,
Peace-cry for war-cry!
Patience is powerful;
He that o’ercometh
Hath power o’er the nations!
‘As torrents in summer,
Half dried in their channels,
Suddenly rise, though the
Sky is still cloudless,
For rain has been falling
Far off at their fountains;
So hearts that are fainting
Grow full to o’erflowing,
And they that behold it
Marvel, and know not
That God at their fountains
Far off has been raining!
‘Stronger than steel
Is the sword of the Spirit;
Swifter than arrows
The light of the truth is,
Greater than anger
Is love, and subdueth!
‘Thou art a phantom,
A shape of the sea-mist,
A shape of the brumal
Rain, and the darkness
Fearful and formless;
Day dawns and thou art not!
‘The dawn is not distant,
Nor is the night starless;
Love is eternal!
God is still God, and
His faith shall not fail us;
Christ is eternal!’
Tales Of A Wayside Inn : Part 1. The Musician’s Tale; The Saga Of King Olaf Xvi. — Queen Thuri And The Angelica Stalks
Northward over Drontheim,
Flew the clamorous sea-gulls,
Sang the lark and linnet
From the meadows green;
Weeping in her chamber,
Lonely and unhappy,
Sat the Drottning Thyri,
Sat King Olaf’s Queen.
In at all the windows
Streamed the pleasant sunshine,
On the roof above her
Softly cooed the dove;
But the sound she heard not,
Nor the sunshine heeded,
For the thoughts of Thyri
Were not thoughts of love,
Then King Olaf entered,
Beautiful as morning,
Like the sun at Easter
Shone his happy face;
In his hand he carried
With delicious fragrance
Filling all the place.
Like a rainy midnight
Sat the Drottning Thyri,
Even the smile of Olaf
Could not cheer her gloom;
Nor the stalks he gave her
With a gracious gesture,
And with words as pleasant
As their own perfume.
In her hands he placed them,
And her jewelled fingers
Through the green leaves glistened
Like the dews of morn;
But she cast them from her,
Haughty and indignant,
On the floor she threw them
With a look of scorn.
‘Richer presents,’ said she,
‘Gave King Harald Gormson
To the Queen, my mother,
Than such worthless weeds;
‘When he ravaged Norway,
Laying waste the kingdom,
Seizing scatt and treasure
For her royal needs.
‘But thou darest not venture
Through the Sound to Vendland,
My domains to rescue
From King Burislaf;
‘Lest King Svend of Denmark,
Forked Beard, my brother,
Scatter all thy vessels
As the wind the chaff.’
Then up sprang King Olaf,
Like a reindeer bounding,
With an oath he answered
Thus the luckless Queen:
‘Never yet did Olaf
Fear King Svend of Denmark;
This right hand shall hale him
By his forked chin!’
Then he left the chamber,
Thundering through the doorway,
Loud his steps resounded
Down the outer stair.
Smarting with the insult,
Through the streets of Drontheim
Strode he red and wrathful,
With his stately air.
All his ships he gathered,
Summoned all his forces,
Making his war levy
In the region round;
Down the coast of Norway,
Like a flock of sea-gulls,
Sailed the fleet of Olaf
Through the Danish Sound.
With his own hand fearless,
Steered he the Long Serpent,
Strained the creaking cordage,
Bent each boom and gaff;
Till in Venland landing,
The domains of Thyri
He redeemed and rescued
From King Burislaf.
Then said Olaf, laughing,
‘Not ten yoke of oxen
Have the power to draw us
Like a woman’s hair!
‘Now will I confess it,
Better things are jewels
Than angelica stalks are
For a Queen to wear.’
Tales Of A Wayside Inn : Part 1. The Musician’s Tale; The Saga Of King Olaf Xix. — King Olaf’s War-Horns
Strike the sails!’ King Olaf said;
‘Never shall men of mine take flight;
Never away from battle I fled,
Never away from my foes!
Let God dispose
Of my life in the fight!’
‘Sound the horns!’ said Olaf the King;
And suddenly through the drifting brume
The blare of the horns began to ring,
Like the terrible trumpet shock
On the Day of Doom!
Louder and louder the war-horns sang
Over the level floor of the flood;
All the sails came down with a clang,
And there in the mist overhead
The sun hung red
As a drop of blood.
Drifting down on the Danish fleet
Three together the ships were lashed,
So that neither should turn and retreat;
In the midst, but in front of the rest
The burnished crest
Of the Serpent flashed.
King Olaf stood on the quarter-deck,
With bow of ash and arrows of oak,
His gilded shield was without a fleck,
His helmet inlaid with gold,
And in many a fold
Hung his crimson cloak.
On the forecastle Ulf the Red
Watched the lashing of the ships;
‘If the Serpent lie so far ahead,
We shall have hard work of it here,’
Said he with a sneer
On his bearded lips.
King Olaf laid an arrow on string,
‘Have I a coward on board?’ said he.
‘Shoot it another way, O King!’
Sullenly answered Ulf,
The old sea-wolf;
‘You have need of me!’
In front came Svend, the King of the Danes,
Sweeping down with his fifty rowers;
To the right, the Swedish king with his thanes;
And on board of the Iron Beard
Earl Eric steered
To the left with his oars.
‘These soft Danes and Swedes,’ said the King,
‘At home with their wives had better stay,
Than come within reach of my Serpent’s sting:
But where Eric the Norseman leads
Will be done to-day!’
Then as together the vessels crashed,
Eric severed the cables of hide,
With which King Olaf’s ships were lashed,
And left them to drive and drift
With the currents swift
Of the outward tide.
Louder the war-horns growl and snarl,
Sharper the dragons bite and sting!
Eric the son of Hakon Jarl
A death-drink salt as the sea
Pledges to thee,
Olaf the King!
Tales Of A Wayside Inn : Part 1. The Musician’s Tale; The Saga Of King Olaf Xii. — King Olaf’s Christmas
At Drontheim, Olaf the King
Heard the bells of Yule-tide ring,
As he sat in his banquet-hall,
Drinking the nut-brown ale,
With his bearded Berserks hale
Three days his Yule-tide feasts
He held with Bishops and Priests,
And his horn filled up to the brim;
But the ale was never too strong,
Nor the Saga-man’s tale too long,
O’er his drinking-horn, the sign
He made of the cross divine,
As he drank, and muttered his prayers;
But the Berserks evermore
Made the sign of the Hammer of Thor
The gleams of the fire-light dance
Upon helmet and hauberk and lance,
And laugh in the eyes of the King;
And he cries to Halfred the Scald,
Gray-bearded, wrinkled, and bald,
‘Sing me a song divine,
With a sword in every line,
And this shall be thy reward.’
And he loosened the belt at his waist,
And in front of the singer placed
‘Quern-biter of Hakon the Good,
Wherewith at a stroke he hewed
The millstone through and through,
And Foot-breadth of Thoralf the Strong,
Were neither so broad nor so long,
Nor so true.’
Then the Scald took his harp and sang,
And loud through the music rang
The sound of that shining word;
And the harp-strings a clangor made,
As if they were struck with the blade
Of a sword.
And the Berserks round about
Broke forth into a shout
That made the rafters ring:
They smote with their fists on the board,
And shouted, ‘Long live the Sword,
And the King!’
But the King said, ‘O my son,
I miss the bright word in one
Of thy measures and thy rhymes.’
And Halfred the Scald replied,
‘In another ‘t was multiplied
Then King Olaf raised the hilt
Of iron, cross-shaped and gilt,
And said, ‘Do not refuse;
Count well the gain and the loss,
Thor’s hammer or Christ’s cross:
And Halfred the Scald said, ‘This
In the name of the Lord I kiss,
Who on it was crucified!’
And a shout went round the board,
‘In the name of Christ the Lord,
Then over the waste of snows
The noonday sun uprose,
Through the driving mists revealed,
Like the lifting of the Host,
By incense-clouds almost
On the shining wall a vast
And shadowy cross was cast
From the hilt of the lifted sword,
And in foaming cups of ale
The Berserks drank ‘Was-hael!
To the Lord!’
Tales Of A Wayside Inn : Part 1. The Musician’s Tale; The Saga Of King Olaf X. — Raud The Strong
‘All the old gods are dead,
All the wild warlocks fled;
But the White Christ lives and reigns,
And throughout my wide domains
His Gospel shall be spread!’
On the Evangelists
Thus swore King Olaf.
But still in dreams of the night
Beheld he the crimson light,
And heard the voice that defied
Him who was crucified,
And challenged him to the fight.
To Sigurd the Bishop
King Olaf confessed it.
And Sigurd the Bishop said,
‘The old gods are not dead,
For the great Thor still reigns,
And among the Jarls and Thanes
The old witchcraft still is spread.’
Thus to King Olaf
Said Sigurd the Bishop.
‘Far north in the Salten Fiord,
By rapine, fire, and sword,
Lives the Viking, Raud the Strong;
All the Godoe Isles belong
To him and his heathen horde.’
Thus went on speaking
Sigurd the Bishop.
‘A warlock, a wizard is he,
And lord of the wind and the sea;
And whichever way he sails,
He has ever favoring gales,
By his craft in sorcery.’
Here the sign of the cross
Made devoutly King Olaf.
‘With rites that we both abhor,
He worships Odin and Thor;
So it cannot yet be said,
That all the old gods are dead,
And the warlocks are no more,’
Flushing with anger
Said Sigurd the Bishop.
Then King Olaf cried aloud:
‘I will talk with this mighty Raud,
And along the Salten Fiord
Preach the Gospel with my sword,
Or be brought back in my shroud!’
So northward from Drontheim
Sailed King Olaf!
Tales Of A Wayside Inn : Part 1. The Musician’s Tale; The Saga Of King Olaf V. — The Skerry Of Shrieks
Now from all King Olaf’s farms
Gathered on the Eve of Easter;
To his house at Angvalds-ness
Fast they press,
Drinking with the royal feaster.
Loudly through the wide-flung door
Came the roar
Of the sea upon the Skerry;
And its thunder loud and near
Reached the ear,
Mingling with their voices merry.
‘Hark!’ said Olaf to his Scald,
Halfred the Bald,
‘Listen to that song, and learn it!
Half my kingdom would I give,
As I live,
If by such songs you would earn it!
‘For of all the runes and rhymes
Of all times,
Best I like the ocean’s dirges,
When the old harper heaves and rocks,
His hoary locks
Flowing and flashing in the surges!’
Halfred answered: ‘I am called
Nothing hinders me or daunts me.
Hearken to me, then, O King,
While I sing
The great Ocean Song that haunts me.’
‘I will hear your song sublime
Some other time,’
Says the drowsy monarch, yawning,
And retires; each laughing guest
Applauds the jest;
Then they sleep till day is dawning.
Facing up and down the yard,
King Olaf’s guard
Saw the sea-mist slowly creeping
O’er the sands, and up the hill,
Round the house where they were sleeping.
It was not the fog he saw,
Nor misty flaw,
That above the landscape brooded;
It was Eyvind Kallda’s crew
Of warlocks blue
With their caps of darkness hooded!
Round and round the house they go,
Magic circles to encumber
And imprison in their ring
Olaf the King,
As he helpless lies in slumber.
Then athwart the vapors dun
The Easter sun
Streamed with one broad track of splendor!
In their real forms appeared
The warlocks weird,
Awful as the Witch of Endor.
Blinded by the light that glared,
They groped and stared,
Round about with steps unsteady;
From his window Olaf gazed,
‘Who are these strange people?’ said he.
‘Eyvind Kallda and his men!’
From the yard a sturdy farmer;
While the men-at-arms apace
Filled the place,
Busily buckling on their armor.
From the gates they sallied forth,
South and north,
Scoured the island coast around them,
Seizing all the warlock band,
Foot and hand
On the Skerry’s rocks they bound them.
And at eve the king again
Called his train,
And, with all the candles burning,
Silent sat and heard once more
The sullen roar
Of the ocean tides returning.
Shrieks and cries of wild despair
Filled the air,
Growing fainter as they listened;
Then the bursting surge alone
Thus the sorcerers were christened!
‘Sing, O Scald, your song sublime,
Cried King Olaf: ‘it will cheer me!’
Said the Scald, with pallid cheeks,
‘The Skerry of Shrieks
Sings too loud for you to hear me!’
Tales Of A Wayside Inn : Part 1. Prelude; The Wayside Inn
One Autumn night, in Sudbury town,
Across the meadows bare and brown,
The windows of the wayside inn
Gleamed red with fire-light through the leaves
Of woodbine, hanging from the eaves
Their crimson curtains rent and thin.
As ancient is this hostelry
As any in the land may be,
Built in the old Colonial day,
When men lived in a grander way,
With ampler hospitality;
A kind of old Hobgoblin Hall,
Now somewhat fallen to decay,
With weather-stains upon the wall,
And stairways worn, and crazy doors,
And creaking and uneven floors,
And chimneys huge, and tiled and tall.
A region of repose it seems,
A place of slumber and of dreams,
Remote among the wooded hills!
For there no noisy railway speeds,
Its torch-race scattering smoke and gleeds;
But noon and night, the panting teams
Stop under the great oaks, that throw
Tangles of light and shade below,
On roofs and doors and window-sills.
Across the road the barns display
Their lines of stalls, their mows of hay,
Through the wide doors the breezes blow,
The wattled cocks strut to and fro,
And, half effaced by rain and shine,
The Red Horse prances on the sign.
Round this old-fashioned, quaint abode
Deep silence reigned, save when a gust
Went rushing down the county road,
And skeletons of leaves, and dust,
A moment quickened by its breath,
Shuddered and danced their dance of death,
And through the ancient oaks o’erhead
Mysterious voices moaned and fled.
But from the parlor of the inn
A pleasant murmur smote the ear,
Like water rushing through a weir:
Oft interrupted by the din
Of laughter and of loud applause,
And, in each intervening pause,
The music of a violin.
The fire-light, shedding over all
The splendor of its ruddy glow,
Filled the whole parlor large and low;
It gleamed on wainscot and on wall,
It touched with more than wonted grace
Fair Princess Mary’s pictured face;
It bronzed the rafters overhead,
On the old spinet’s ivory keys
It played inaudible melodies,
It crowned the sombre clock with flame,
The hands, the hours, the maker’s name,
And painted with a livelier red
The Landlord’s coat-of-arms again;
And, flashing on the window-pane,
Emblazoned with its light and shade
The jovial rhymes, that still remain,
Writ near a century ago,
By the great Major Molineaux,
Whom Hawthorne has immortal made.
Before the blazing fire of wood
Erect the rapt musician stood;
And ever and anon he bent
His head upon his instrument,
And seemed to listen, till he caught
Confessions of its secret thought,–
The joy, the triumph, the lament,
The exultation and the pain;
Then, by the magic of his art,
He soothed the throbbings of its heart,
And lulled it into peace again.
Around the fireside at their ease
There sat a group of friends, entranced
With the delicious melodies
Who from the far-off noisy town
Had to the wayside inn come down,
To rest beneath its old oak-trees.
The fire-light on their faces glanced,
Their shadows on the wainscot danced,
And, though of different lands and speech,
Each had his tale to tell, and each
Was anxious to be pleased and please.
And while the sweet musician plays,
Let me in outline sketch them all,
Perchance uncouthly as the blaze
With its uncertain touch portrays
Their shadowy semblance on the wall.
But first the Landlord will I trace;
Grave in his aspect and attire;
A man of ancient pedigree,
A Justice of the Peace was he,
Known in all Sudbury as ‘The Squire.’
Proud was he of his name and race,
Of old Sir William and Sir Hugh,
And in the parlor, full in view,
His coat-of-arms, well framed and glazed,
Upon the wall in colors blazed;
He beareth gules upon his shield,
A chevron argent in the field,
With three wolf’s-heads, and for the crest
A Wyvern part-per-pale addressed
Upon a helmet barred; below
The scroll reads, ‘By the name of Howe.’
And over this, no longer bright,
Though glimmering with a latent light,
Was hung the sword his grandsire bore
In the rebellious days of yore,
Down there at Concord in the fight.
A youth was there, of quiet ways,
A Student of old books and days,
To whom all tongues and lands were known,
And yet a lover of his own;
With many a social virtue graced,
And yet a friend of solitude;
A man of such a genial mood
The heart of all things he embraced,
And yet of such fastidious taste,
He never found the best too good.
Books were his passion and delight,
And in his upper room at home
Stood many a rare and sumptuous tome,
In vellum bound, with gold bedight,
Great volumes garmented in white,
Recalling Florence, Pisa, Rome.
He loved the twilight that surrounds
The border-land of old romance;
Where glitter hauberk, helm, and lance,
And banner waves, and trumpet sounds,
And ladies ride with hawk on wrist,
And mighty warriors sweep along,
Magnified by the purple mist,
The dusk of centuries and of song.
The chronicles of Charlemagne,
Of Merlin and the Mort d’Arthure,
Mingled together in his brain
With tales of Flores and Blanchefleur,
Sir Ferumbras, Sir Eglamour,
Sir Launcelot, Sir Morgadour,
Sir Guy, Sir Bevis, Sir Gawain.
A young Sicilian, too, was there;
In sight of Etna born and bred,
Some breath of its volcanic air
Was glowing in his heart and brain,
And, being rebellious to his liege,
After Palermo’s fatal siege,
Across the western seas he fled,
In good King Bomba’s happy reign.
His face was like a summer night,
All flooded with a dusky light;
His hands were small; his teeth shone white
As sea-shells, when he smiled or spoke;
His sinews supple and strong as oak;
Clean shaven was he as a priest,
Who at the mass on Sunday sings,
Save that upon his upper lip
His beard, a good palm’s length least,
Level and pointed at the tip,
Shot sideways, like a swallow’s wings.
The poets read he o’er and o’er,
And most of all the Immortal Four
Of Italy; and next to those,
The story-telling bard of prose,
Who wrote the joyous Tuscan tales
Of the Decameron, that make
Fiesole’s green hills and vales
Remembered for Boccaccio’s sake.
Much too of music was his thought;
The melodies and measures fraught
With sunshine and the open air,
Of vineyards and the singing sea
Of his beloved Sicily;
And much it pleased him to peruse
The songs of the Sicilian muse,–
Bucolic songs by Meli sung
In the familiar peasant tongue,
That made men say, ‘Behold! once more
The pitying gods to earth restore
Theocritus of Syracuse!’
A Spanish Jew from Alicant
With aspect grand and grave was there;
Vender of silks and fabrics rare,
And attar of rose from the Levant.
Like an old Patriarch he appeared,
Abraham or Isaac, or at least
Some later Prophet or High-Priest;
With lustrous eyes, and olive skin,
And, wildly tossed from cheeks and chin,
The tumbling cataract of his beard.
His garments breathed a spicy scent
Of cinnamon and sandal blent,
Like the soft aromatic gales
That meet the mariner, who sails
Through the Moluccas, and the seas
That wash the shores of Celebes.
All stories that recorded are
By Pierre Alphonse he knew by heart,
And it was rumored he could say
The Parables of Sandabar,
And all the Fables of Pilpay,
Or if not all, the greater part!
Well versed was he in Hebrew books,
Talmud and Targum, and the lore
Of Kabala; and evermore
There was a mystery in his looks;
His eyes seemed gazing far away,
As if in vision or in trance
He heard the solemn sackbut play,
And saw the Jewish maidens dance.
A Theologian, from the school
Of Cambridge on the Charles, was there;
Skilful alike with tongue and pen,
He preached to all men everywhere
The Gospel of the Golden Rule,
The New Commandment given to men,
Thinking the deed, and not the creed,
Would help us in our utmost need.
With reverent feet the earth he trod,
Nor banished nature from his plan,
But studied still with deep research
To build the Universal Church,
Lofty as in the love of God,
And ample as the wants of man.
A Poet, too, was there, whose verse
Was tender, musical, and terse;
The inspiration, the delight,
The gleam, the glory, the swift flight,
Of thoughts so sudden, that they seem
The revelations of a dream,
All these were his; but with them came
No envy of another’s fame;
He did not find his sleep less sweet,
For music in some neighboring street
Nor rustling hear in every breeze
The laurels of Miltiades.
Honor and blessings on his head
While living, good report when dead,
Who, not too eager for renown,
Accepts, but does not clutch, the crown!
Last the Musician, as he stood
Illumined by that fire of wood;
Fair-haired, blue-eyed, his aspect blithe,
His figure tall and straight and lithe,
And every feature of his face
Revealing his Norwegian race;
A radiance, streaming from within,
Around his eyes and forehead beamed,
The Angel with the violin,
Painted by Raphael, he seemed.
He lived in that ideal world
Whose language is not speech, but song;
Around him evermore the throng
Of elves and sprites their dances whirled;
The Strömkarl sang, the cataract hurled
Its headlong waters from the height;
And mingled in the wild delight
The scream of sea-birds in their flight,
The rumor of the forest trees,
The plunge of the implacable seas,
The tumult of the wind at night,
Voices of eld, like trumpets blowing,
Old ballads, and wild melodies
Through mist and darkness pouring forth,
Like Elivagar’s river flowing
Out of the glaciers of the North.
The instrument on which he played
Was in Cremona’s workshops made,
By a great master of the past,
Ere yet was lost the art divine;
Fashioned of maple and of pine,
That in Tyrolean forests vast
Had rocked and wrestled with the blast;
Exquisite was it in design,
Perfect in each minutest part,
A marvel of the lutist’s art;
And in its hollow chamber, thus,
The maker from whose hands it came
Had written his unrivalled name,–
And when he played, the atmosphere
Was filled with magic, and the ear
Caught echoes of that Harp of Gold,
Whose music had so weird a sound,
The hunted stag forgot to bound,
The leaping rivulet backward rolled,
The birds came down from bush and tree,
The dead came from beneath the sea,
The maiden to the harper’s knee!
The music ceased; the applause was loud,
The pleased musician smiled and bowed;
The wood-fire clapped its hands of flame,
The shadows on the wainscot stirred,
And from the harpsichord there came
A ghostly murmur of acclaim,
A sound like that sent down at night
By birds of passage in their flight,
From the remotest distance heard.
Then silence followed; then began
A clamor for the Landlord’s tale,–
The story promised them of old,
They said, but always left untold;
And he, although a bashful man,
And all his courage seemed to fail,
Finding excuse of no avail,
Yielded; and thus the story ran.
Tales Of A Wayside Inn : Part 1. Interlude Vi.
Thus closed the tale of guilt and gloom,
That cast upon each listener’s face
Its shadow, and for some brief space
Unbroken silence filled the room.
The Jew was thoughtful and distressed;
Upon his memory thronged and pressed
The persecution of his race,
Their wrongs and sufferings and disgrace;
His head was sunk upon his breast,
And from his eyes alternate came
Flashes of wrath and tears of shame.
The Student first the silence broke,
As one who long has lain in wait,
With purpose to retaliate,
And thus he dealt the avenging stroke.
‘In such a company as this,
A tale so tragic seems amiss,
That by its terrible control
O’ermasters and drags down the soul
Into a fathomless abyss.
The Italian Tales that you disdain,
Some merry Night of Straparole,
Or Machiavelli’s Belphagor,
Would cheer us and delight us more,
Give greater pleasure and less pain
Than your grim tragedies of Spain!’
And here the Poet raised his hand,
With such entreaty and command,
It stopped discussion at its birth,
And said: ‘The story I shall tell
Has meaning in it, if not mirth;
Listen, and hear what once befell
The merry birds of Killingworth!’
Tales Of A Wayside Inn : Part 1. Interlude V.
A strain of music closed the tale,
A low, monotonous, funeral wail,
That with its cadence, wild and sweet,
Made the long Saga more complete.
‘Thank God,’ the Theologian said,
‘The reign of violence is dead,
Or dying surely from the world;
While Love triumphant reigns instead,
And in a brighter sky o’erhead
His blessed banners are unfurled.
And most of all thank God for this:
The war and waste of clashing creeds
Now end in words, and not in deeds,
And no one suffers loss, or bleeds,
For thoughts that men call heresies.
‘I stand without here in the porch,
I hear the bell’s melodious din,
I hear the organ peal within,
I hear the prayer, with words that scorch
Like sparks from an inverted torch,
I hear the sermon upon sin,
With threatenings of the last account.
And all, translated in the air,
Reach me but as our dear Lord’s Prayer,
And as the Sermon on the Mount.
‘Must it be Calvin, and not Christ?
Must it be Athanasian creeds,
Or holy water, books, and beads?
Must struggling souls remain content
With councils and decrees of Trent?
And can it be enough for these
The Christian Church the year embalms
With evergreens and boughs of palms,
And fills the air with litanies?
‘I know that yonder Pharisee
Thanks God that he is not like me;
In my humiliation dressed,
I only stand and beat my breast,
And pray for human charity.
‘Not to one church alone, but seven,
The voice prophetic spake from heaven;
And unto each the promise came,
Diversified, but still the same;
For him that overcometh are
The new name written on the stone,
The raiment white, the crown, the throne,
And I will give him the Morning Star!
‘Ah! to how many Faith has been
No evidence of things unseen,
But a dim shadow, that recasts
The creed of the Phantasiasts,
For whom no Man of Sorrows died,
For whom the Tragedy Divine
Was but a symbol and a sign,
And Christ a phantom crucified!
‘For others a diviner creed
Is living in the life they lead.
The passing of their beautiful feet
Blesses the pavement of the street
And all their looks and words repeat
Old Fuller’s saying, wise and sweet,
Not as a vulture, but a dove,
The Holy Ghost came from above.
‘And this brings back to me a tale
So sad the hearer well may quail,
And question if such things can be;
Yet in the chronicles of Spain
Down the dark pages runs this stain,
And naught can wash them white again,
So fearful is the tragedy.’