Florence Margaret Smith, known as Stevie Smith, was an English poet and novelist. She was awarded the Cholmondeley Award for Poets and won the Queen’s Gold Medal for poetry. A play Stevie by Hugh Whitemore, based on her life, was adapted into a film starring Glenda Jackson.
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Famous Stevie Smith Poems
Autumn
He told his life story to Mrs. Courtly
Who was a widow. ‘Let us get married shortly’,
He said. ‘I am no longer passionate,
But we can have some conversation before it is too late.’
My Heart Goes Out
My heart goes out to my Creator in love
Who gave me Death, as end and remedy.
All living creatures come to quiet Death
For him to eat up their activity
And give them nothing, which is what they want although
When they are living they do not think so.
Away, Melancholy
Away, melancholy,
Away with it, let it go.
Are not the trees green,
The earth as green?
Does not the wind blow,
Fire leap and the rivers flow?
Away melancholy.
The ant is busy
He carrieth his meat,
All things hurry
To be eaten or eat.
Away, melancholy.
Man, too, hurries,
Eats, couples, buries,
He is an animal also
With a hey ho melancholy,
Away with it, let it go.
Man of all creatures
Is superlative
(Away melancholy)
He of all creatures alone
Raiseth a stone
(Away melancholy)
Into the stone, the god
Pours what he knows of good
Calling, good, God.
Away melancholy, let it go.
Speak not to me of tears,
Tyranny, pox, wars,
Saying, Can God
Stone of man’s thoughts, be good?
Say rather it is enough
That the stuffed
Stone of man’s good, growing,
By man’s called God.
Away, melancholy, let it go.
Man aspires
To good,
To love
Sighs;
Beaten, corrupted, dying
In his own blood lying
Yet heaves up an eye above
Cries, Love, love.
It is his virtue needs explaining,
Not his failing.
Away, melancholy,
Away with it, let it go.
My Heart Was Full
My heart was full of softening showers,
I used to swing like this for hours,
I did not care for war or death,
I was glad to draw my breath.
Exeat
I remember the Roman Emperor, one of the cruellest of them,
Who used to visit for pleasure his poor prisoners cramped in dungeons,
So then they would beg him for death, and then he would say:
Oh no, oh no, we are not yet friends enough.
He meant they were not yet friends enough for him to give them death.
So I fancy my Muse says, when I wish to die:
Oh no, Oh no, we are not yet friends enough,
And Virtue also says:
We are not yet friends enough.
How can a poet commit suicide
When he is still not listening properly to his Muse,
Or a lover of Virtue when
He is always putting her off until tomorrow?
Yet a time may come when a poet or any person
Having a long life behind him, pleasure and sorrow,
But feeble now and expensive to his country
And on the point of no longer being able to make a decision
May fancy Life comes to him with love and says:
We are friends enough now for me to give you death;
Then he may commit suicide, then
He may go.
I Remember
It was my bridal night I remember,
An old man of seventy-three
I lay with my young bride in my arms,
A girl with t.b.
It was wartime, and overhead
The Germans were making a particularly heavy raid on
Hampstead.
What rendered the confusion worse, perversely
Our bombers had chosen that moment to set out for Germany.
Harry, do they ever collide?
I do not think it has ever happened,
Oh my bride, my bride.
Our Bog Is Dood
Our Bog is dood, our Bog is dood,
They lisped in accents mild,
But when I asked them to explain
They grew a little wild.
How do you know your Bog is dood
My darling little child?
We know because we wish it so
That is enough, they cried,
And straight within each infant eye
Stood up the flame of pride,
And if you do not think it so
You shall be crucified.
Then tell me, darling little ones,
What’s dood, suppose Bog is?
Just what we think, the answer came,
Just what we think it is.
They bowed their heads. Our Bog is ours
And we are wholly his.
But when they raised them up again
They had forgotten me
Each one upon each other glared
In pride and misery
For what was dood, and what their Bog
They never could agree.
Oh sweet it was to leave them then,
And sweeter not to see,
And sweetest of all to walk alone
Beside the encroaching sea,
The sea that soon should drown them all,
That never yet drowned me.
Tenuous And Precarious
Tenuous and Precarious
Were my guardians,
Precarious and Tenuous,
Two Romans.
My father was Hazardous,
Hazardous
Dear old man,
Three Romans.
There was my brother Spurious,
Spurious Posthumous,
Spurious was Spurious,
Was four Romans.
My husband was Perfidious,
He was Perfidious
Five Romans.
Surreptitious, our son,
Was Surreptitious,
He was six Romans.
Our cat Tedious
Still lives,
Count not Tedious
Yet.
My name is Finis,
Finis, Finis,
I am Finis,
Six, five, four, three, two,
One Roman,
Finis.
Sunt Leones
The lions who ate the Christians on the sands of the arena
By indulging native appetites played was now been seen a
Not entirely negligible part
In consolidating at the very start
The position of the Early Christian Church.
Initiatory rights are always bloody
In the lions, it appears
From contemporary art, made a study
Of dyeing Coliseum sands a ruddy
Liturgically sacrificial hue
And if the Christians felt a little blue-
Will people being eaten often do.
Theirs was the death, and there’s was a crown undying,
A state of things which must be satisfying.
My point which up to this has been obscured
Is that it was the lions who procured
By chewing up blood gristle flesh and bone
The martyrdoms on which the church has grown.
I only write this poem because I thought it rather looked
As if the part the lions played was being overlooked.
By lions’ jaws great benefits and blessings were begotten
And so our debt to Lionhood must never be forgotten.
Nor We Of Her To Him
He said no word of her to us
Nor we of her to him,
But oh it saddened us to see
How wan he grew and thin.
We said: she eats him day and night
And draws the blood from him,
We did not know but said we thought
This was why he grew thin.
One day we called and rang the bell,
No answer came within,
We said: She must have took him off
To the forest old and grim,
It has fell out, we said, that she
Eats him in forest grim,
And how can we help him being eaten
Up in forests grim?
It is a restless time we spend,
We have no help from him,
We walk about and go to bed,
It is no help to him.
Sometimes we shake our heads and say
It might have better been
If he had spoke of us to her
Or we of her to him.
Which makes us feel helpful, until
The silence comes again.
The Reason
My life is vile
I hate it so
I’ll wait awhile
And then I’ll go.
Why wait at all?
Hope springs alive,
Good may befall
I yet may thrive.
It is because I can’t make up my mind
If God is good, impotent or unkind.
I Do Not Speak
I do not ask for mercy for understanding for peace
And in these heavy days I do not ask for release
I do not ask that suffering shall cease.
I do not pray to God to let me die
To give an ear attentive to my cry
To pause in his marching and not hurry by.
I do not ask for anything I do not speak
I do not question and I do not seek
I used to in the day when I was weak.
Now I am strong and lapped in sorrow
As in a coat of magic mail and borrow
From Time today and care not for tomorrow.
Mother, Among The Dustbins
Mother, among the dustbins and the manure
I feel the measure of my humanity, an allure
As of the presence of God, I am sure
In the dustbins, in the manure, in the cat at play,
Is the presence of God, in a sure way
He moves there. Mother, what do you say?
I too have felt the presence of God in the broom
I hold, in the cobwebs in the room,
But most of all in the silence of the tomb.
Ah! but that thought that informs the hope of our kind
Is but an empty thing, what lies behind? —
Naught but the vanity of a protesting mind
That would not die. This is the thought that bounces
Within a conceited head and trounces
Inquiry. Man is most frivolous when he pronounces.
Well Mother, I shall continue to think as I do,
And I think you would be wise to do so too,
Can you question the folly of man in the creation of God?
Who are you?
Drugs Made Pauline Vague
Drugs made Pauline vague.
She sat one day at the breakfast table
Fingering in a baffled way
The fronds of the maidenhair plant.
Was it the salt you were looking for dear?
said Dulcie, exchanging a glance with the Brigadier.
Chuff chuff Pauline what’s the matter?
Said the Brigadier to his wife
Who did not even notice
What a handsome couple they made.
Deeply Morbid
Deeply morbid deeply morbid was the girl who typed the letters
Always out of office hours running with her social betters
But when daylight and the darkness of the office closed about her
Not for this ah not for this her office colleagues came to doubt her
It was that look within her eye
Why did it always seem to say goodbye?
Joan her name was and at lunchtime
Solitary solitary
She would go and watch the pictures In the National Gallery
All alone all alone
This time with no friend beside her
She would go and watch the pictures
All alone.
Will she leave her office colleagues
Will she leave her evening pleasures
Toil within a friendly bureau
Running later in her leisure?
All alone all alone
Before the pictures she seemed turned to stone.
Close upon the Turner pictures
Closer than a thought may go
Hangs her eye and all the colours
Leap into a special glow
All for her, all alone
All for her, all for Joan.
First the canvas where the ocean
Like a mighty animal
With a wicked motion
Leaps for sailors’ funeral
Holds her painting. Oh the creature
Oh the wicked virile thing
With its skin of fleck and shadow
Stretching tightening over him.
Wild yet caputured wild yet caputured
By the painter, Joan is quite enraptured.
Now she edges from the canvas
To another loved more dearly
Where the awful light of purest
Sunshine falls across the spray,
There the burning coasts of fancy
Open to her pleasure lay.
All alone all alone
Come away come away
All alone.
Lady Mary, Lady Kitty
The Honourable Featherstonehaugh
Polly Tommy from the office
Which of these shall hold her now?
Come away come away
All alone.
The spray reached out and sucked her in
It was hardly a noticed thing
That Joan was there and is not now
(Oh go and tell young Featherstonehaugh)
Gone away, gone away
All alone.
She stood up straight
The sun fell down
There was no more of London Town
She went upon the painted shore
And there she walks for ever more
Happy quite
Beaming bright
In a happy happy light
All alone.
They say she was a morbid girl, no doubt of it
And what befell her clearly grew out of it
But I say she’s a lucky one
To walk for ever in that sun
And as I bless sweet Turner’s name
I wish that I could do the same.
Happiness
Happiness is silent, or speaks equivocally for friends,
Grief is explicit and her song never ends,
Happiness is like England, and will not state a case,
Grief, like Guilt, rushes in and talks apace.
Never Again
Never again will I weep
And wring my hands
And beat my head against the wall
Because
Me nolentem fata trahunt
But
When I have had enough
I will arise
And go unto my Father
And I will say to Him:
Father, I have had enough.
Alone In The Woods
Alone in the woods I felt
The bitter hostility of the sky and the trees
Nature has taught her creatures to hate
Man that fusses and fumes
Unquiet man
As the sap rises in the trees
As the sap paints the trees a violent green
So rises the wrath of Nature’s creatures
At man
So paints the face of Nature a violent green.
Nature is sick at man
Sick at his fuss and fume
Sick at his agonies
Sick at his gaudy mind
That drives his body
Ever more quickly
More and more
In the wrong direction.
Not Waving But Drowning
Nobody heard him, the dead man,
But still he lay moaning:
I was much further out than you thought
And not waving but drowning.
Poor chap, he always loved larking
And now he’s dead
It must have been too cold for him his heart gave way,
They said.
Oh, no no no, it was too cold always
(Still the dead one lay moaning)
I was much too far out all my life
And not waving but drowning.
The Pleasures Of Friendship
The pleasures of friendship are exquisite,
How pleasant to go to a friend on a visit!
I go to my friend, we walk on the grass,
And the hours and moments like minutes pass.
