Henry Archibald Hertzberg Lawson was an Australian writer and bush poet. Along with his contemporary Banjo Paterson, Lawson is among the best-known Australian poets and fiction writers of the colonial period and is often called Australia’s “greatest short story writer”.
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Famous Henry Lawson Poems
The Foreign Drunk
When you get tight in foreign lands
You never need go slinking,
No female neighbours lift their hands
And say “The brute!—he’s drinking!”
No mischief-maker runs with smiles
To give your wife a notion,
For she may be ten thousand miles
Across the bounding ocean.
Oh! I’ve been Scottish “fu” all night,
(O’er ills o’ life victorious),
And I’ve been Dutch and German tight,
And French and Dago glorious.
We saw no boa-constrictors then,
In every lady’s boa,
Though we got drunk with Antwerp men,
And woke up in Genoa!
When you get tight in foreign lands,
All foreigners are brothers—
You drink their drink and grasp their hands
And never wish for others.
Their foreign ways and foreign songs—
And girls—you take delight in:
The war-whoop that you raise belongs
To the country you get tight in.
When you get tight in a foreign port—
(Or rather bacchanalian),
You need no tongue for love or sport
Save your own good Australian.
(A girl in Naples kept me square—
Or helped me to recover—
For mortal knoweth everywhere
The language of the lover).
When you get tight in foreign parts,
With tongue and legs unstable,
They do their best, with all their hearts
And help you all they’re able.
Ah me! It was a happy year,
Though all the rest were “blanky,”
When I got drunk on lager beer,
And sobered up on “Swankey.”
The Flour Bin
By Lawson’s Hill, near Mudgee,
On old Eurunderee –
The place they called “New Pipeclay”,
Where the diggers used to be –
On a dreary old selection,
Where times were dry and thin,
In a slab and shingle kitchen
There stood a flour bin.
‘Twas “ploorer” with the cattle,
‘Twas rust and smut in wheat,
‘Twas blight in eyes and orchards,
And coarse salt-beef to eat.
Oh, how our mothers struggled
Till eyes and brain were dull –
Oh, how our fathers slaved and toiled
To keep those flour bins full!
We’ve been in many countries,
We’ve sailed on many seas;
We’ve travelled in the steerage
And lived on land at ease.
We’ve seen the world together
Through laughter and through tears –
And not been far from baker’s bread
These five and thirty years.
The flats are green as ever,
The creeks go rippling through;
The Mudgee Hills are showing
Their deepest shades of blue;
Those mountains in the distance
That ever held a charm
Are fairer than a picture
As seen from Cox’s farm.
On a German farm by Mudgee,
That took long years to win,
On the wide bricked back verandah
There stands a flour bin;
And the dear old German lady –
Though the bakers’ carts run out –
Still keeps a “fifty” in it
Against a time of drought.
It was my father made it,
It stands as good as new,
And of the others like it
There still remain a few.
God grant, when drought shall strike us,
The young will “take a pull”,
And the old folk their strength anew
To keep those flour bins full.
The Two Poets
Two poets were born where the skies were fair,
To live in the land thereafter;
And one was a singer of sorrow and care,
And one was a bard of laughter.
With simple measure and simple word,
The feelings of mankind voicing –
And light hearts listened and sad hearts heard,
And they went on their way rejoicing.
The glad rejoiced that the world was gay –
Who took no thought of the morrow-
And it ever has lightened the sad hearts’ way
To hear of another’s’ sorrow.
The poets died when none were aware,
(For no one could see the token)
That light of heart was the bard of care,
But the heart of the other was broken.
The Stranger’s Friend
The strangest things and the maddest things, that a man can do or say,
To the chaps and fellers and coves Out Back are matters of every day;
Maybe on account of the lives they lead, or the life that their hearts discard—
But never a fool can be too mad or a ‘hard case’ be too hard.
I met him in Bourke in the Union days—with which we have nought to do
(Their creed was narrow, their methods crude, but they stuck to ‘the cause’ like glue).
He came into town from the Lost Soul Run for his grim half-yearly ‘bend,’
And because of a curious hobby he had, he was known as ‘The Stranger’s Friend.’
It is true to the region of adjectives when I say that the spree was ‘grim,’
For to go on the spree was a sacred rite, or a heathen rite, to him,
To shout for the travellers passing through to the land where the lost soul bakes—
Till they all seemed devils of different breeds, and his pockets were filled with snakes.
In the joyful mood, in the solemn mood—in his cynical stages too—
In the maudlin stage, in the fighting stage, in the stage when all was blue—
From the joyful hour when his spree commenced, right through to the awful end,
He never lost grip of his ‘fixed idee’ that he was the Stranger’s Friend.
‘The feller as knows, he can battle around for his bloomin’ self,’ he’d say—
‘I don’t give a curse for the “blanks” I know the hard-up bloke this way;
‘Send the stranger round, and I’ll see him through,’ and, e’en as the bushman spoke,
The chaps and fellers would tip the wink to a casual, ‘hard-up bloke.’
And it wasn’t only a bushman’s ‘bluff’ to the fame of the Friend they scored,
For he’d shout the stranger a suit of clothes, and he’d pay for the stranger’s board—
The worst of it was that he’d skite all night on the edge of the stranger’s bunk,
And never got helplessly drunk himself till he’d got the stranger drunk.
And the chaps and the fellers would speculate—by way of a ghastly joke—
As to who’d be caught by the ‘jim-jams’ first—the Friend or the hard-up bloke?
And the ‘Joker’ would say that there wasn’t a doubt as to who’d be damned in the end,
When the Devil got hold of a hard-up bloke in the shape of the Stranger’s Friend.
It mattered not to the Stranger’s Friend what the rest might say or think,
He always held that the hard-up state was due to the curse of drink,
To the evils of cards, and of company: ‘But a young cove’s built that way,
‘And I was a bloomin’ fool meself when I started out,’ he’d say.
At the end of the spree, in clean white ‘moles,’ clean-shaven, and cool as ice,
He’d give the stranger a ‘bob’ or two, and some straight Out Back advice;
Then he’d tramp away for the Lost Soul Run, where the hot dust rose like smoke,
Having done his duty to all mankind, for he’d ‘stuck to a hard-up bloke.’
They’ll say ’tis a ‘song of a sot,’ perhaps, but the Song of a Sot is true.
I have ‘battled’ myself, and you know, you chaps, what a man in the bush goes through:
Let us hope when the last of his sprees is past, and his cheques and his strength are done,
That, amongst the sober and thrifty mates, the Stranger’s Friend has one.
The Southerly Buster
There’s a wind that blows out of the South in the drought,
And we pray for the touch of his breath
When siroccos come forth from the North-West and North,
Or in dead calms of fever and death.
With eyes glad and dim we should sing him a hymn,
For depression and death are his foes,
And he gives us new life for the bread-winning strife—
When the glorious Old Southerly blows.
Old Southerly Buster! your forces you muster
Where seldom a wind bloweth twice,
And your ‘white-caps’ have hint of the snow caps, and glint of
The far-away barriers of ice.
No wind the wide sea on can sing such a poean
Or do the great work that you do;
Our own wind and only, from seas wild and lonely—
Old Southerly Buster!—To you!
Oh, the city is baked, and its thirst is unslaked,
Though it swallows iced drinks by the score,
And the blurred sky is low and the air seems aglow
As if breezes would cool it no more.
We are watching all hands where the Post Office stands—
We are watching out hopefully too—
For a red light shall glower from the Post Office tower
When the Southerly Buster is due.
The yachts run away at the end of the day
From the breakers commencing to comb,
For a few he may swamp in the health-giving romp
With the friendly Old Southerly home.
But he never drowns one, for the drowning is done
By the fools, or the reckless in sport;
And the alleys and slums shall be cooled when he comes
With the weary wind-jammers to port.
Oh softly he plays through the city’s hot ways
To the beds where they’re calling ‘Come quick!’
He is gentle and mild round the feverish child,
And he cools the hot brow of the sick.
Clearing drought-hazy skies, up the North Coast he hies
Till the mouths of our rivers are fair—
And along the sea, too, he has good work to do,
For he takes the old timber-tubs there.
’Tis a glorious mission, Old Sydney’s Physician!
Broom, Bucket, and Cloth of the East,
’Tis a breeze and a sprayer that answers our prayer,
And it’s free to the greatest and least.
The red-lamp’s a warning to drought and its scorning—
A sign to the city at large—
Hence! Headache and Worry! Despondency hurry!
Old Southerly Buster’s in charge
Old Southerly Buster! your forces you muster
Where seldom a wind bloweth twice,
And your ‘white-caps’ have hint of the snow caps, and glint of
The far-away barriers of ice.
No wind the wide sea on can sing such a poean
Or do the great work that you do;
Our own wind and only, from seas wild and lonely—
Old Southerly Buster!—To you!
The King Of Our Republic
He is coming! He is coming! without heralds, without cheers.
He is coming! He is coming! and he’s been with us for years:
And, if you should pause to wonder who’s the man of whom I sing—
’Tis the King of our Republic, and the man we shall call King.
No, he comes not to amuse us, and he comes not to explain,
With the bathos of the old things over all the land again.
The debatable and tangled, and the vain imagining
Shall be swept out of our pathway by the man that we’ll call King.
He is coming! He is coming! He has heard our spirit call;
He’ll be greatest man since Cromwell in the English nations all,
And he’ll take his place amongst us while the rest are wondering—
Shall the King of our Republic, and the man we will call King.
If you find him stern, unyielding, where his living task is set,
I have told you that a tyrant shall uplift the nation yet;
He will place his country’s welfare over all and everything,
Shall the King of our Republic, and the man that we’ll call King.
Yet his heart shall still be gentle with his brothers gone astray,
For the Great Man of Australia shall be simple in his day—
Modest, kindly, but unyielding, while the watching world shall ring
With the name of our Republic and the man that we call King.
To The Irish Delegates
Farewell! The gold we send shall be a token
Of that which in our hearts is growing strong;
You asked our sympathy, and we have spoken—
“They wrong us who our brothers rob and wrong.”
Tell Ireland—tell her in her desolation,
That hearts within the South for her have bled—
That scalding tears of helpless indignation
By eyes that read her cruel wrongs are shed.
Helpless no more! but strong to act hereafter,
For silenced arc the “loyal subjects’” sneers—
Too long have Ireland’s wrongs been words of laughter—
Arch-mockery to tickle British ears.
Tell Ireland that they lie of us—they slander,
Who say we care not for another’s wrong;
For we are not the men to kneel and pander
To tyranny, because the tyrant’s strong.
Take back across the waves Australia’s message,
And say our hearts are big, and strong our hands,
Tell Ireland that for her is surest presage
Of fate as fair as of these Southern lands.
The Sorrows Of A Simple Bard
WHEN I tell a tale of virtue and of injured innocence,
Then my publishers and lawyers are the densest of the dense:
With the blank face of an image and the nod of keep-it-dark
And a wink of mighty meaning at their confidential clerk.
(When, Oh! tell me when shall poets cease to be misunderstood?
When, Oh! When? shall people reckon rhymers can be any good?
Do their work and pay their debts and drink their pint of beer, and then,
Look in woman’s eyes and leave them, just like ordinary men?)
“Is there literary friendship ’twix the sexes? don’t you think?”
And they wink their idiotic and exasperating wink.
“Can’t we kiss a clever woman without wanting any more?”
And their clock-work nod is only more decided than before.
But if I should hint that there’s a little woman somewhere, say,
Then the public and the law are interested straight away,
The impassive confidential gets a bright and cheerful glance—
Things are straightway on a footing that may lead to an advance.
Both are married and respected and they both are rising higher:
One’s church warden, one’s a deacon in a fashionable choir.
And the clerks have both unblemished private characters to show—
What do they know about woman? That’s what I should like to know.
(Flash of dark eyes in the moonlight, in the scrub or far afield,
Blouse-sleeves back from white arms clinging—clinging while she will not yield,
Or the fair head on your shoulder and the grey eyes moist and mild—
Weary of the strife with passion, yielding like a tired child.)
There’s my aunt; the dear old lady hints about “experience”
When I go to her for comfort with my injured innocence.
She screws up a wise expression, while she listens, for my pains—
Isn’t it an awful pity women haven’t any brains?
Now I’m serious and angry, for it isn’t any joke—
Poets have been damned for ages by such evil-minded folk.
Must we all be public blackguards? Can’t a rhymer be a man,
Spite of Byron’s silly mistress—Burns’s gawky Mary Ann?
As tame bards they will not have us, and I don’t know what they want,
There’s my publisher and lawyer, my admirers and my aunt.
Do they want a rake and a spendthrift? Look out! Tradesman trusting me!
Look out! Husbands! Fathers! Brothers! I’ll be wicked as can be!
There now.
The Song Of The Waste-Paper Basket
O BARD of fortune, you deem me nought
But a mark for your careless scorn.
For I am the echo-less grave of thought
That is strangled before it’s born.
You think perchance that I am a doom
Which only a dunce should dread—
Nor dream I’ve been the dishonoured tomb
Of the noblest and brightest dead.
The brightest fancies that e’er can fly
From the labouring minds of men
Are often written in lines awry,
And marred by a blundering pen;
And thus it comes that I gain a part
Of what to the world is loss—
Of genius lost for the want of art,
Of pearls that are set in dross.
And though I am of a lowly birth
My fame has been cheaply bought,
A power am I, for I rob the earth
Of the brightest gems of thought;
The Press gains much of my lawful share,
I am wronged without redress—
But I have revenge, for I think it fair
That I should plunder the Press.
You’d pause in wonder to read behind
The lines of some songs I see;
The soul of the singer I often find
In songs that are thrown to me.
But the song of the singer I bury deep
With the scrawl of the dunce and clown,
And both from the eyes of the world I keep,
And the hopes of both I drown.
The Triumph Of The People
LO, the gods of Vice and Mammon from their pinnacles are hurled
By the workers’ new religion, which is oldest in the world;
And the earth will feel her children treading firmly on the sod,
For the triumph of the People is the victory of God.
Not the victory of Churches, nor of Punishment and Wrath,
Not the triumph of the sceptic, throwing shadows on the path,
But of Christ and love and mercy o’er the Monarch and the Rod,
For the harvest of the Saviour is the aftermath of God.
O the Light of Revelation, since the reign of Care began,
Has been shining through the ages on the darkened eyes of man.
And the willing slave of Error—he is senseless as a clod—
For the simple Book of Nature is the written scroll of God.
Who will dare to say the sunlight on the pregnant Earth was shed
That the few might rest and fatten, while the many fight for bread?
Lo, there springs a common garden, where the foot of Greed hath trod,
For the victory of Labour was the prophecy of God.
Mother Earth, in coming seasons, shall fulfil her motherhood;
Then the children of her bosom never more shall want for food,
And oppression shall no longer grind the people iron-shod;
For the lifted hand of Labour is the upraised hand of God.
The Tracks That Lie By India
Now this is not a dismal song, like some I’ve sung of late,
When I’ve been brooding all day long about my muddled fate;
For though I’ve had a rocky time I’ll never quite forget,
And though I never was so deep in trouble and in debt,
And though I never was so poor nor in a fix so tight—
The tracks that run by India are shining in my sight.
The roads that run by India, and all the ports of call—
I’m going back to London first to raise the wherewithal.
I’ll call at Suez and Port Said as I am going past
(I was too worried to take notes when I was that way last),
At Naples and at Genoa, and, if I get the chance,
Who knows but I might run across the pleasant land of France.
The track that runs by India goes up the hot Red Sea—
The other side of Africa is far too dull for me.
(I fear that I have missed a chance I’ll never get again
To see the land of chivalry and bide awhile in Spain.)
I’ll graft a year in London, and if fortune smiles on me
I’ll take the track to India by France and Italy.
’Tis sweet to court some foreign girl with eyes of lustrous glow,
Who does not know my language and whose language I don’t know;
To loll on gently-rolling decks beneath the softening skies,
While she sits knitting opposite, and make love with our eyes—
The glance that says far more than words, the old half-mystic smile—
The track that runs by India will wait for me awhile.
The tracks that run by India to China and Japan,
The tracks where all the rovers go—the tracks that call a Man!
I’m wearied of the formal lands of parson and of priest,
Of dollars and of fashions, and I’m drifting towards the East;
I’m tired of cant and cackle, and of sordid jobbery—
The mystery of the East hath cast its glamour over me.
The Three Quiet Gentlemen
There is a quiet gentleman a-motoring in France
(Oh, don’t you hear the honking of a British motor-car?)—
Like any quiet gentleman that you may meet by chance,
Who doesn’t wear a uniform, and doesn’t sport a star.
Another quiet gentleman is sitting by his side
(Oh, do you hear the “shuffling feet” tonight in Gay Paree?)—
The honking of their motor-car, when they go for a ride,
Is louder than the biggest gun that’s made in Germany.
Another quiet gentleman, who’s very like the first
(Oh, don’t you hear the tinkle of the sleigh-bells on the snow?)
Is riding out in Russia now to watch the best and worst.
Oh, hear the bells of Petrograd a-ringing soft and low—
The Christmas bells of Petrograd, that hail the birth of Christ;
The sleigh-bells from the opera that hail the birth of Sin—
While eyes of men are dried in Hell and hearts of men are iced—
Are louder than the loudest blare that’s blaring in Berlin.
The Spirits Of Our Fathers
THE SPIRITS of our fathers rise not from every wave,
They left the sea behind them long ago;
It was many years of “slogging,” where strong men must be brave,
For the sake of unborn children, and, maybe, a soul to save,
And the end a tidy homestead, and four panels round a grave,
And—the bones of poor old Someone down below.
Some left happy homes in old lands when they heard the New Land call
(Some were gentlemen and some were social wrecks)
Some left squalor and starvation—they were soldiers one and all,
And their weapons were the cross-cut and the wedges and the maul.
(How we used to run as children when we heard the big trees fall!
While they paused to wipe their faces and their necks.)
They were buried by our uncles where the ground was hard to dig
(It was little need for churchmen that they had),
And they sobbed like grown-up children, for their hearts were soft and big.
And the myrtle and the ivy, and the vine-tree and the fig—
And the heather—and the shamrock, where th’ mother kept the pig,
Waited vainly for the Grand Australian Dad.
The spirits of our fathers have belts and bowyangs on
(Oh, Father! do you live again and know?)
Strapped riding pants and leggings parched and perished in the sun,
And love-belts “worked” by sweethearts ere the digging days were done,
And the cabbage-tree that went out with the muzzle-loading gun
That was carried round the cattle out beyond the furthest run
Where the brave exploring drovers used to go.
The spirits of our fathers, they rise from every grave
(Each side the line that Burke and Leichhardt crossed),
And where still in “settled districts” ghastly Bush-lost madmen rave
(While the grim search parties, haggard, struggle hopelessly to save)
Till the spirit timber beacons and the spirit waters lave,
And no spirit of a father has been lost.
The spirits of our fathers, they rise from level sand
(Like an ocean where an ocean used to be),
Out where Heaven’s grandest ’lectrics light the Never Never Land
With the glorious hope and promise that the Bushmen understand
When the rain and grass are coming till the desert-plain is grand,
And the drought-divorced Australian meets his soul.
Listen! There’s the word that’s spoken when no other soul seems near,
And the one who hears is sober, calm and sane,
And the name called, amongst many, when the called alone can hear—
Words by lone huts and in prison, speaking comfort, hope and cheer—
And the Warning, not admited to each other, calm and clear—
Then the fathers of a nation speak again.
There are spirits of our fathers in the theatres to-night
(And the places where rich sons of settlers go),
And a half-dressed daughter shivers, and a tailored son turns white,
For the heritage world-squandered, and the Land put out of sight,
And that awful thirst for Nothing that they bought with their birthright
And a haggard mother’s spirit bending low.
There are spirits of our fathers by the pleasant South Coast roads
Where motor cars of sons of stockmen go,
In the wealth robbed from Up Country, oh, the shame of it is black!
And the laugh and giggle ceases and the car swerves and turns back,
’Tis the old dad, smiling grimly, with arms folded by the track,
And the shades of horse and swagmen that they know.
There’s the flagship of the First Fleet rising grimly on the tide
(Out by Watson where the motor, launches go),
And the features known to many of our families of pride—
But the launches veer like seabirds, veer and turn and circle wide
From the shadow of a free ship where the waiting liners ride
And pale faces of brave emigrants look sadly o’er the side—
Boys and girls who were our parents long ago.
There the word said in the Senate by the patriot unafraid
(Senate where the comic fatmen never mind)
And the tissue starts and wakens, summons “Haw-haws!” to its aid,
But the honest men sit upright who were wearied of tirade.
And a nation’s aims are furthered! and a nation’s law is made—
For the spirit of a father stands behind.
The Statue Of Our Queen
PRIDE, selfishness in every line,
And on its face a frown,
It stands, a sceptre in its hand,
And points forever down.
And who will kneel? The unemployed!
Small homage pay, I ween,
The only men who gather ’neath
The Statue of our Queen.
I’d scarcely wonder if the sun,
That rises with good grace,
Should sink and leave the day undone
At sight of such a face.
But no! The day will still have birth
In all its golden sheen,
When antiquarians unearth
The Statue of our Queen.
Then if you’d have us loyal bide
As we have loyal been,
Great Parkes! for love of England, hide
The Statue of our Queen.
The Squatter’s Daughter
OUT in the west, where runs are wide,
And days than ours are hotter,
Not very far from Lachlan Side
There dwelt a wealthy squatter.
Of old opinions he was full—
An Englishman, his sire,
Was hated long where peasants pull
Their forelocks to the squire.
He loved the good old British laws,
And Royalty’s regalia,
And oft was heard to growl because
They wouldn’t fit Australia.
This squatter had a lovely child—
An angel bright we thought her;
And all the stockmen rude and wild
Adored the squatter’s daughter.
But on a bright eventful morn,
A swell of northern nation—
A lordling—brought his languid yawn
And eyeglass to the station.
He coveted the squatter’s wealth;
He saw the squatter’s daughter:
And, what is more than heart or health,
His empty title bought her.
And “Yes”, the father made her say
In spite of tears and kissing;
But early on the wedding day
The station found her missing.
And madder still the squatter grew,
And madder still the lover;
When by-and-by a-missing too,
A stockman they discover.
Then on the squatter’s brow the frown
Went blacker still and blacker;
He sent a man to bring from town
A trooper and a tracker.
The dusty rascal saw the trail;
He never saw it plainer;
The reason why he came to fail
Will take a shrewd explainer.
A day and night the party lose;
The track the tracker parried;
And then a stockman brought the news—
“The runaways were married!”
The squatter swore that he’d forgive,
Perhaps, when he forgot her;
But he’d disown her while he’d live,
And while they called him squatter.
But as the empty months went o’er,
To ease his heart’s vexation
He brought his bold young son-in-law
To manage stock and station.
And glad was he that he forgave,
Because a something had he
To keep his gray hairs from the grave,
And call him “Dear Grand Daddy”.
To Democratic victories
In after years he’d listen;
And, strange to say, to things like these
His aged eyes would glisten.
The lordling took another girl
Not quite of his desire,
And went to where the farmers twirl
Their forelocks to the squire.
Now often to the station comes
An old and wrinkled tracker:
They cheer his heart with plenty rum,
And “plenty pheller bacca”.
The Labour Agitator
LET the liar call me liar,
And the robber call me thief.
They can only fan the fire
That is born of my belief.
While I’m speaking, while I’m writing,
To reform the wrongful laws,
Well I know that I am fighting
For the grand old Cause.
See the army of the rebels
Marching on for evermore.
We are countless as the pebbles
That are strewn along the shore.
Agitating, agitating,
Till the Truth has sealed the fate
Of the wrongs that I am hating
With the grand old Hate.
Though no battle banner rustles
In a smoke that blurs the blue,
As when “heroes” poured from Brussels
To the field of Waterloo,
Though we do not hear the rattle
Of the rifles in the wars,
There is glory in the battle
For the grand old Cause.
See the army of the rebels
Marching on for evermore.
We are countless as the pebbles
That are strewn along the shore.
Agitating, agitating,
Till the Truth has sealed the fate
Of the wrongs that I am hating
With the grand old Hate.
No! I look not to the reaping
In the dynasty of men,
For I know that I’ll be sleeping
In a slandered grave e’er then.
Till his right to man is given
We’ll rebel, and we’ll rebel
As we would rebel in heaven
If it proved a hell.
See the army of the rebels
Marching on for evermore.
We are countless as the pebbles
That are strewn along the shore.
Agitating, agitating,
Till the Truth has sealed the fate
Of the wrongs that I am hating
With the grand old Hate.
No! There’s neither creed nor nation
Where the Labour flag’s unfurled,
For the Labour agitation
Breaks the barriers of the world.
Let the rulers fly in terror
With their scornful lips uncurled,
One by one the gods of error
From their thrones are hurled.
See the army of the rebels
Marching on for evermore.
We are countless as the pebbles
That are strewn along the shore.
Agitating, agitating,
Till the Truth has sealed the fate
Of the wrongs that I am hating
With the grand old Hate.