Edwin Arlington Robinson was an American poet. Robinson won the Pulitzer Prize for Poetry on three occasions and was nominated for the Nobel Prize in Literature four times.
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Famous Edwin Arlington Robinson Poems
Alma Mater
He knocked, and I beheld him at the door—
A vision for the gods to verify.
“What battered ancient is this,” thought I,
“And when, if ever, did we meet before?”
But ask him as I might, I got no more
For answer than a moaning and a cry:
Too late to parley, but in time to die,
He staggered, and lay ahapeless on the floor.
When had I known him? And what brought him here?
Love, warning, malediction, fear?
Surely I never thwarted such as he?—
Again, what soiled obscurity was this:
Out of what scum, and up from what abyss,
Had they arrived—these rags of memory.
Atherton’s Gambit
The Master played the bishop’s pawn,
For jest, while Atherton looked on;
The master played this way and that,
And Atherton, amazed thereat,
Said “Now I have a thing in view
That will enlighten one or two,
And make a difference or so
In what it is they do not know.”
The morning stars together sang
And forth a mighty music rang—
Not heard by many, save as told
Again through magic manifold
By such a few as have to play
For others, in the Master’s way,
The music that the Master made
When all the morning stars obeyed.
Atherton played the bishop’s pawn
While more than one or two looked on;
Atherton played this way and that,
And many a friend, amused thereat,
Went on about his business
Nor cared for Atherton the less;
A few stood longer by the game,
With Atherton to them the same.
The morning stars are singing still,
To crown, to challenge, and to kill;
And if perforce there falls a voice
On pious ears that have no choice
Except to urge an erring hand
To wreak its homage on the land,
Who of us that is worth his while
Will, if he listen, more than smile?
Who of us, being what he is,
May scoff at others’ ecstasies?
However we may shine to-day,
More-shining ones are on the way;
And so it were not wholly well
To be at odds with Azrael,—
Nor were it kind of any one
To sing the end of Atherton.
Supremacy
There is a drear and lonely tract of hell
From all the common gloom removed afar:
A flat, sad land it is, where shadows are,
Whose lorn estate my verse may never tell.
I walked among them and I knew them well:
Men I had slandered on life’s little star
For churls and sluggards; and I knew the scar
Upon their brows of woe ineffable.
But as I went majestic on my way,
Into the dark they vanished, one by one,
Till, with a shaft of God’s eternal day,
The dream of all my glory was undone,—
And, with a fool’s importunate dismay,
I heard the dead men singing in the sun.
A Song at Shannon’s
Two men came out of Shannon’s, having known
The faces of each other for so long
As they had listened there to an old song,
Sung thinly in a wastrel monotone
By some unhappy night-bird, who had flown
Too many times and with a wing too strong
To save himself; and so done heavy wrong
To more frail elements than his alone.
Slowly away they went, leaving behind
More light than was before them. Neither met
The other’s eyes again or said a word.
Each to his loneliness or to his kind,
Went his own way, and with his own regret,
Not knowing what the other may have heard.
Firelight
Ten years together without yet a cloud
They seek each other’s eyes at intervals
Of gratefulness to firelight and four walls
For love’s obliteration of the crowd.
Serenely and perennially endowed
And bowered as few may be, their joy recalls
No snake, no sword; and over them there falls
The blessing of what neither says aloud.
Wiser for silence, they were not so glad
Were she to read the graven tale of lines
On the wan face of one somewhere alone;
Nor were they more content could he have had
Her thoughts a moment since of one who shines
Apart, and would be hers if he had known.
Cassandra
I heard one who said: “Verily,
What word have I for children here?
Your Dollar is your only Word,
The wrath of it your only fear.
“You build it altars tall enough
To make you see but you are blind;
You cannot leave it long enough
To look before you or behind.
“When Reason beckons you to pause,
You laugh and say that you know best;
But what it is you know, you keep
As dark as ingots in a chest.
“You laugh and answer, ‘We are young;
Oh, leave us now, and let us grow:’
Not asking how much more of this
Will Time endure or Fate bestow.
“Because a few complacent years
Have made your peril of your pride,
Think you that you are to go on
Forever pampered and untried?
“What lost eclipse of history,
What bivouac of the marching stars,
Has given the sign for you to see
Milleniums and last great wars?
“What unrecorded overthrow
Of all the world has ever known,
Or ever been, has made itself
So plain to you, and you alone?
“Your Dollar, Dove, and Eagle make
A Trinity that even you
Rate higher than you rate yourselves;
It pays, it flatters, and it’s new.
“And though your very flesh and blood
Be what the Eagle eats and drinks,
You’ll praise him for the best of birds,
Not knowing what the eagle thinks.
“The power is yours, but not the sight;
You see not upon what you tread;
You have the ages for your guide,
But not the wisdom to be led.
“Think you to tread forever down
The merciless old verities?
And are you never to have eyes
To see the world for what it is?
“Are you to pay for what you have
With all you are?”—No other word
We caught, but with a laughing crowd
Moved on. None heeded, and few heard.
The Gift of God
Blessed with a joy that only she
Of all alive shall ever know,
She wears a proud humility
For what it was that willed it so –
That her degree should be so great
Among the favoured of the Lord
That she may scarcely bear the weight
Of her bewildering reward.
As one apart, immune, alone,
Or featured for the shining ones,
And like to none that she has known
Of other women’s other sons –
The firm fruition of her need,
He shines anointed; and he blurs
Her vision, till it seems indeed
A sacrilege to call him hers.
She fears a little for so much
Of what is best, and hardly dares
To think of him as one to touch
With aches, indignities, and cares;
She sees him rather at the goal,
Still shining; and her dream foretells
The proper shining of a soul
Where nothing ordinary dwells.
Perchance a canvass of the town
Would find him far from flags and shouts,
And leave him only the renown
Of many smiles and many doubts;
Perchance the crude and common tongue
Would havoc strangely with his worth;
But she, with innocence unwrung,
Would read his name around the earth.
And others, knowing how this youth
Would shine, if love could make him great,
When caught and tortured for the truth
Would only writhe and hesitate;
While she, arranging for his days
What centuries could not fulfil,
Transmutes him with her faith and praise,
And has him shining where she will.
She crowns him with her gratefulness,
And says again that life is good;
And should the gift of God be less
In him than in her motherhood,
His fame, though vague, will not be small
As upward through her dream he fares,
Half clouded with a crimson fall
Of roses thrown on marble stairs.
The Dark Hills
Dark hills at evening in the west,
Where sunset hovers like a sound
Of golden horns that sang to rest
Old bones of warriors under ground,
Far now from all the bannered ways
Where flash the legions of the sun,
You fade—as if the last of days
Were fading, and all wars were done.
For a Dead Lady
No more with overflowing light
Shall fill the eyes that now are faded,
Nor shall another’s fringe with night
Their woman-hidden world as they did.
No more shall quiver down the days
The flowing wonder of her ways,
Whereof no language may requite
The shifting and the many-shaded.
The grace, divine, definitive,
Clings only as a faint forestalling;
The laugh that love could not forgive
Is hushed, and answers to no calling;
The forehead and the little ears
Have gone where Saturn keeps the years;
The breast where roses could not live
Has done with rising and with falling.
The beauty, shattered by the laws
That have creation in their keeping,
No longer trembles at applause,
Or over children that are sleeping;
And we who delve in beauty’s lore
Know all that we have known before
Of what inexorable cause
Makes Time so vicious in his reaping.
Ballad of Broken Flutes
In dreams I crossed a barren land,
A land of ruin, far away;
Around me hung on every hand
A deathful stillness of decay;
And silent, as in bleak dismay
That song should thus forsaken be,
On that forgotten ground there lay
The broken flutes of Arcady.
The forest that was all so grand
When pipes and tabors had their sway
Stood leafless now, a ghostly band
Of skeletons in cold array.
A lonely surge of ancient spray
Told of an unforgetful sea,
But iron blows had hushed for aye
The broken flutes of Arcady.
No more by summer breezes fanned,
The place was desolate and gray;
But still my dream was to command
New life into that shrunken clay.
I tried it. Yes, you scan to-day,
With uncommiserating glee,
The songs of one who strove to play
The broken flutes of Arcady.
ENVOY
So, Rock, I join the common fray,
To fight where Mammon may decree;
And leave, to crumble as they may,
The broken flutes of Arcady.
Calvary
Friendless and faint, with martyred steps and slow,
Faint for the flesh, but for the spirit free,
Stung by the mob that came to see the show,
The Master toiled along to Calvary;
We gibed him, as he went, with houndish glee,
Till his dimmed eyes for us did overflow;
We cursed his vengeless hands thrice wretchedly, —
And this was nineteen hundred years ago.
But after nineteen hundred years the shame
Still clings, and we have not made good the loss
That outraged faith has entered in his name.
Ah, when shall come love’s courage to be strong!
Tell me, O Lord — tell me, O Lord, how long
Are we to keep Christ writhing on the cross!
Afterthoughts
We parted where the old gas-lamp still burned
Under the wayside maple and walked on,
Into the dark, as we had always done;
And I, no doubt, if he had not returned,
Might yet be unaware that he had earned
More than earth gives to many who have won
More than it has to give when they are gone—
As duly and indelibly I learned.
The sum of all that he came back to say
Was little then, and would be less today:
With him there were no Delphic heights to climb,
Yet his were somehow nearer the sublime.
He spoke, and went again by the old way—
Not knowing it would be for the last time.
Ballad by the Fire
Slowly I smoke and hug my knee,
The while a witless masquerade
Of things that only children see
Floats in a mist of light and shade:
They pass, a flimsy cavalcade,
And with a weak, remindful glow,
The falling embers break and fade,
As one by one the phantoms go.
Then, with a melancholy glee
To think where once my fancy strayed,
I muse on what the years may be
Whose coming tales are all unsaid,
Till tongs and shovel, snugly laid
Within their shadowed niches, grow
By grim degrees to pick and spade,
As one by one the phantoms go.
But then, what though the mystic Three
Around me ply their merry trade? —
And Charon soon may carry me
Across the gloomy Stygian glade? —
Be up, my soul! nor be afraid
Of what some unborn year may show;
But mind your human debts are paid,
As one by one the phantoms go.
ENVOY
Life is the game that must be played:
This truth at least, good friend, we know;
So live and laugh, nor be dismayed
As one by one the phantoms go.
Hillcrest
Who knows to-day from yesterday
May learn to count no thing too strange:
Love builds of what Time takes away,
Till Death itself is less than Change.
Who sees enough in his duress
May go as far as dreams have gone;
Who sees a little may do less
Than many who are blind have done;
Who sees unchastened here the soul
Triumphant has no other sight
Than has a child who sees the whole
World radiant with his own delight.
Far journeys and hard wandering
Await him in whose crude surmise
Peace, like a mask, hides everything
That is and has been from his eyes;
And all his wisdom is unfound,
Or like a web that error weaves
On airy looms that have a sound
No louder now than falling leaves.
An Old Story
Strange that I did not know him then.
That friend of mine!
I did not even show him then
One friendly sign;
But cursed him for the ways he had
To make me see
My envy of the praise he had
For praising me.
I would have rid the earth of him
Once, in my pride…
I never knew the worth of him
Until he died.
The House on the Hill
They are all gone away,
The House is shut and still,
There is nothing more to say.
Through broken walls and gray
The winds blow bleak and shrill:
They are all gone away.
Nor is there one to-day
To speak them good or ill:
There is nothing more to say.
Why is it then we stray
Around the sunken sill?
They are all gone away,
And our poor fancy-play
For them is wasted skill:
There is nothing more to say.
There is ruin and decay
In the House on the Hill:
They are all gone away,
There is nothing more to say.
Bewick Finzer
Time was when his half million drew
The breath of six per cent;
But soon the worm of what-was-not
Fed hard on his content;
And something crumbled in his brain
When his half million went.
Time passed, and filled along with his
The place of many more;
Time came, and hardly one of us
Had credence to restore,
From what appeared one day, the man
Whom we had known before.
The broken voice, the withered neck,
The coat worn out with care,
The cleanliness of indigence,
The brilliance of despair,
The fond imponderable dreams
Of affluence,—all were there.
Poor Finzer, with his dreams and schemes,
Fares hard now in the race,
With heart and eye that have a task
When he looks in the eye
Of one who might so easily
Have been in Finzer’s place.
He comes unfailing for the loan
We give and then forget;
He comes, and probably for years
Will he be coming yet,—
Familiar as an old mistake,
And futile as regret.
The Children of the Night
For those that never know the light,
The darkness is a sullen thing;
And they, the Children of the Night,
Seem lost in Fortune’s winnowing.
But some are strong and some are weak, —
And there’s the story. House and home
Are shut from countless hearts that seek
World-refuge that will never come.
And if there be no other life,
And if there be no other chance
To weigh their sorrow and their strife
Than in the scales of circumstance,
‘T were better, ere the sun go down
Upon the first day we embark,
In life’s imbittered sea to drown,
Than sail forever in the dark.
But if there be a soul on earth
So blinded with its own misuse
Of man’s revealed, incessant worth,
Or worn with anguish, that it views
No light but for a mortal eye,
No rest but of a mortal sleep,
No God but in a prophet’s lie,
No faith for “honest doubt” to keep;
If there be nothing, good or bad,
But chaos for a soul to trust, —
God counts it for a soul gone mad,
And if God be God, He is just.
And if God be God, He is Love;
And though the Dawn be still so dim,
It shows us we have played enough
With creeds that make a fiend of Him.
There is one creed, and only one,
That glorifies God’s excellence;
So cherish, that His will be done,
The common creed of common sense.
It is the crimson, not the gray,
That charms the twilight of all time;
It is the promise of the day
That makes the starry sky sublime;
It is the faith within the fear
That holds us to the life we curse; —
So let us in ourselves revere
The Self which is the Universe!
Let us, the Children of the Night,
Put off the cloak that hides the scar!
Let us be Children of the Light,
And tell the ages what we are!
Reuben Bright
Because he was a butcher and thereby
Did earn an honest living (and did right),
I would not have you think that Reuben Bright
Was any more a brute than you or I;
For when they told him that his wife must die,
He stared at them, and shook with grief and fright,
And cried like a great baby half that night,
And made the women cry to see him cry.
And after she was dead, and he had paid
The singers and the sexton and the rest,
He packed a lot of things that she had made
Most mournfully away in an old chest
Of hers, and put some chopped-up cedar boughs
In with them, and tore down the slaughter-house.
The Long Race
Up the old hill to the old house again
Where fifty years ago the friend was young
Who should be waiting somewhere there among
Old things that least remembered most remain,
He toiled on with a pleasure that was pain
To think how soon asunder would be flung
The curtain half a century had hung
Between the two ambitions they had slain.
They dredged an hour for words, and then were done.
“Good-bye!… You have the same old weather-vane—
Your little horse that’s always on the run.”
And all the way down back to the next train,
Down the old hill to the old road again,
It seemed as if the little horse had won.
Walt Whitman
The master-songs are ended, and the man
That sang them is a name. And so is God
A name; and so is love, and life, and death,
And everything. But we, who are too blind
To read what we have written, or what faith
Has written for us, do not understand:
We only blink, and wonder.
Last night it was the song that was the man,
But now it is the man that is the song.
We do not hear him very much to-day:
His piercing and eternal cadence rings
Too pure for us —- too powerfully pure,
Too lovingly triumphant, and too large;
But there are some that hear him, and they know
That he shall sing to-morrow for all men,
And that all time shall listen.
The master-songs are ended? Rather say
No songs are ended that are ever sung,
And that no names are dead names. When we write
Men’s letters on proud marble or on sand,
We write them there forever.
Amaryllis
Once, when I wandered in the woods alone,
An old man tottered up to me and said,
“Come, friend, and see the grave that I have made
For Amaryllis.” There was in the tone
Of his complaint such quaver and such moan
That I took pity on him and obeyed,
And long stood looking where his hands had laid
An ancient woman, shrunk to skin and bone.
Far out beyond the forest I could hear
The calling of loud progress, and the bold
Incessant scream of commerce ringing clear;
But though the trumpets of the world were glad,
It made me lonely and it made me sad
To think that Amaryllis had grown old.
A Happy Man
When these graven lines you see,
Traveller, do not pity me;
Though I be among the dead,
Let no mournful word be said.
Children that I leave behind,
And their children, all were kind;
Near to them and to my wife,
I was happy all my life.
My three sons I married right,
And their sons I rocked at night;
Death nor sorrow never brought
Cause for one unhappy thought.
Now, and with no need of tears,
Here they leave me, full of years,—
Leave me to my quiet rest
In the region of the blest.
Miniver Cheevy
He would have sinned incessantly
Could he have been one.
Miniver cursed the commonplace
And eyed a khaki suit with loathing;
He missed the mediæval grace
Of iron clothing.
Miniver scorned the gold he sought,
But sore annoyed was he without it;
Miniver thought, and thought, and thought,
And thought about it.
Miniver Cheevy, born too late,
Scratched his head and kept on thinking;
Miniver coughed, and called it fate,
And kept on drinking.
The Burning Book
OR THE CONTENTED METAPHYSICIAN
TO the lore of no manner of men
Would his vision have yielded
When he found what will never again
From his vision be shielded,—
Though he paid with as much of his life
As a nun could have given,
And to-night would have been as a knife,
Devil-drawn, devil-driven.
For to-night, with his flame-weary eyes
On the work he is doing,
He considers the tinder that flies
And the quick flame pursuing.
In the leaves that are crinkled and curled
Are his ashes of glory,
And what once were an end of the world
Is an end of a story.
But he smiles, for no more shall his days
Be a toil and a calling
For a way to make others to gaze
On God’s face without falling.
He has come to the end of his words,
And alone he rejoices
In the choiring that silence affords
Of ineffable voices.
To a realm that his words may not reach
He may lead none to find him;
An adept, and with nothing to teach,
He leaves nothing behind him.
For the rest, he will have his release,
And his embers, attended
By the large and unclamoring peace
Of a dream that is ended.
