24 Best Adrian Henri Poems

Adrian Henri was a British poet and painter best remembered as the founder of poetry-rock group the Liverpool Scene and as one of three poets in the best-selling anthology The Mersey Sound, along with Brian Patten and Roger McGough.

Famous Adrian Henri Poems

Love Is…

Love is…

Love is feeling cold in the back of vans

Love is a fanclub with only two fans

Love is walking holding paintstained hands

Love is.

Love is fish and chips on winter nights

Love is blankets full of strange delights

Love is when you don’t put out the light

Love is

Love is the presents in Christmas shops

Love is when you’re feeling Top of the Pops

Love is what happens when the music stops

Love is

Love is white panties lying all forlorn

Love is pink nightdresses still slightly warm

Love is when you have to leave at dawn

Love is

Love is you and love is me

Love is prison and love is free

Love’s what’s there when you are away from me

Love is…

Me

if you weren’t you, who would you like to be?

Paul McCartney Gustav Mahler
Alfred Jarry John Coltrane
Charlie Mingus Claude Debussy
Wordsworth Monet Bach and Blake

Charlie Parker Pierre Bonnard
Leonardo Bessie Smith
Fidel Castro Jackson Pollock
Gaudi Milton Munch and Berg

Belà Bartók Henri Rousseau
Rauschenberg and Jasper Johns
Lukas Cranach Shostakovich
Kropotkin Ringo George and John

William Burroughs Francis Bacon
Dylan Thomas Luther King
H. P. Lovecraft T. S. Eliot
D. H. Lawrence Roland Kirk

Salvatore Giuliano
Andy Warhol Paul Uzanne
Kafka Camus Ensor Rothko
Jacques Prévert and Manfred Mann

Marx Dostoevsky
Bakunin Ray Bradbury
Miles Davis Trotsky
Stravinsky and Poe

Danilo Dolci Napoleon Solo
St John of the Cross and
The Marquis de Sade

Charles Rennie Mackintosh
Rimbaud Claes Oldenburg
Adrian Mitchell and Marcel Duchamp

James Joyce and Hemingway
Hitchcock and Bunuel
Donald McKinlay Thelonius Monk

Alfred, Lord Tennyson
Matthias Grunewald
Philip Jones Grifths and Roger McGough

Guillaume Apollinaire
Cannonball Adderley
René Magritte
Hieronymus Bosch

Stéphane Mallarmé and Alfred de Vigny
Ernst Mayakovsky and Nicolas de Stael
Hindemith Mick Jagger Durer and Schwitters
Garcia Lorca
and
last of all
me.

I Want To Paint

I

I want to paint
2000 dead birds crucified on a background of night
Thoughts that lie too deep for tears
Thoughts that lie too deep for queers
Thoughts that move at 186,000 miles/second
The Entry of Christ into Liverpool in 1966
The installation of Roger McGough in the Chair of Poetry at Oxford
Francis Bacon making the President’s Speech at the Royal Academy dinner

I want to paint
50 life-sized nudes of Marianne Faithfull
(all of them painted from life)
Welsh Maids by Welsh Waterfalls
Heather Holden as Our Lady of Haslingden
A painting as big as Piccadilly full of neon signs and buses
Christmas decorations and beautiful girls with dark blonde hair shading their faces

I want to paint
The assassination of the entire Royal Family
Enormous pictures of every pavingstone in Canning Street
The Beatles composing a new national anthem
Brian Patten writing poems with a flamethrower on disused ferry boats
A new cathedral 50 miles high made entirely of pram wheels
An empty Woodbine packet covered in kisses
I want to paint
A picture made from the tears of dirty-faced children in Chatham Street

I want to paint
I LOVE YOU across the steps of St. George’s hall
I want to paint

Pictures
II

I want to paint
The Simultaneous and Historical Faces of Death
10,000 shocking pink hearts with your name on
The phantom negro postmen who bring me money in my dreams
The first plastic daffodil of spring pushing its way
Through the OMO packets in the supermarket
The portrait of every sixth-form schoolgirl in the country
A full-scale map of the world with YOU at the centre
An enormous lily-of-the-valley with every flower on a separate canvas

Life-sized jelly babies shaped like Hayley Mills
A black-and-red flag flying over Parliament
I want to paint
Every car crash on all the motorways of England
Pere Ubu at 11 o’clock at night in Lime Street
A SYSTEMATIC DERANGEMENT OF ALL THE SENSES
in black running letters 50 miles high over Liverpool

I want to paint
Pictures that children play hopscotch on
Pictures that can be used as evidence at murder trials
Pictures that can be used to advertise cornflakes
Pictures that can be used to frighten naughty children
Pictures worth their weight in money
Pictures that tramps can live in
Pictures that children would find in their stockings on Christmas morning
Pictures that teenage lovers can send each other
I want to paint

pictures

Song For A Beautiful Girl Petrol­pump Attendant On The MotorwaySong For A Beautiful Girl Petrol­pump Attendant On The Motorway

I wanted your soft verges
But you gave me the hard shoulder..

Great War Poems

I.

The same old soldiers walking along the same old skyline

2.

Dead hand through the sandbags reaching out for the cream­and ­white butterfly

3

mud/water under duckboards/mud/rats scamper in starshell darkness/mud/smell of shit and rotting bodies/mud/resting your sweaty forehead on the sandbags OVER THE TOP the first men in the lunar landscape.

4.

What did you do to the Great Whore, Daddy?’

5.

Poppies slightly out­of­focus and farmcarts bringing in the peaceful dead.

6.

The ghost of Wilfred Oven selling matches outside the Burlington Arcade.

7.

Seafog. Red flaring lights from the shore batteries. The roar of shells rattle of machineguns. Water running in the bilges. My feet slipping on the damp cobbles of the quayside.

8.

DON’T BE VAGUE ­ BLAME GENERAL HAIG.

9.

four white feathers clutched in a blood­stained envelope

10.

a skull nestling in a bed of wild strawberries/boots mouldering green with fungus/saplings thrusting through rusting helmets/sunken barges drifting full of leaves down autumn rivers.

Poem In Memoriam T. S. Eliot

I’d been out the night before & hadn’t seen the papers or the telly
& the next day in a café someone told me you were dead
And it was as if a favourite distant uncle had died
old hands in the big strange room/new shiny presents at Christmas
and I didn’t know what to feel.

For years I measured out my life with your coffee spoons

Your poems on the table in dusty bed sitters
Playing an L.P. of you reading on wet interrupted January afternoons

Meanwhile, back at the Wasteland:
Maureen OHara in a lowcut dress staggers across Rhyl sandhills
Lovers in Liverpool pubs eating passion fruit
Reading Alfred de Vigny in the lavatory
Opening an old grand piano and finding it smelling of curry
THE STAR OF INDIA FOUND IN A BUS STATION
Making love in a darkened room hearing an old woman having a fit on the landing
The first snowflakes of winter falling on her Christmas poem for me in Piccadilly Gardens
The first signs of spring in plastic daffodils
on city counters

Lovers kissing
Rain fallin

Dogs running
Night falling
And you `familiar compound spirit’ moving silently down Canning St in a night of rain and fog.

Adrian Henri’s Talking After Christmas Blues

Well I woke up this mornin’ it was Christmas Day
And the birds were singing the night away
I saw my stocking lying on the chair
Looked right to the bottom but you weren’t there
there was
apples
oranges
chocolates
. .. . aftershave
but no you.

So I went downstairs and the dinner was fine
There was pudding and turkey and lots of wine
And I pulled those crackers with a laughing face
Till I saw there was no one in your place
there was
mincepies
brandy
nuts and raisins
. . . mashed potato
but no you.

Now it’s New Year and it’s Auld Lang Syne
And it’s 1 2 o’clock and I’m feeling fine
Should Auld Acquaintance be Forgot?
I don’t know girl, but it hurts a lot
there was
whisky
vodka dry Martini (stirred
but not shaken)
…. and 12 New Year resolutions
all of them about you.

So it’s all the best for the year ahead

As I stagger upstairs and into bed
Then I looked at the pillow by my side
. . .I tell you baby I almost cried

there’ll be

Autumn

Summer
Spring
. . . . and Winter

all of them without you.

Where’Er You Walk

`Where’er you walk
Cool gales shall fan that glade’

The Pierhead where you walked will be made a park
restricted to lovers under 27
Peasants will be found merrymaking after the storm in
Canning St where you walked
The station where we first arrived at night
Will be preserved for the nation With the echo of your footsteps still sounding in the empty
roof

`Where’er you tread
The Blushing flower shall rise’

The alleyway where we read poems to dustbins after closing time
The kitchens where we quarrelled at parties
The kitchen where two strangers first kissed at a party full of strangers
The ticket barrier where we said goodnight so many times
The cobblestones in front of the station
The pub where the kindly old waiter
Always knows what we want to drink –
ALL SHALL BURST INTO BLOOM
SPROUTING FLOWERS BRIGHTER THAN PLASTIC ONES
IN WOOLWORTHS
Daffodils and chrysanthemums, rhododendrons and
snowdrops, tulips and roses
cobblestones bursting with lilies­of­the­valley

`And all things flourish’

Whole streets where you walk are paved with soft grass
so the rain will never go through your shoes again
Zebra crossings made of lilies
Belisha beacons made of orange blossom
Bus stops huge irises
Traffic lights made of snapdragons
`Trees where you sit
Shall crowd into a shade’

even in Piccadilly
stations covered in flowers yellow like the paint you once
got in your hair
Oak trees growing everywhere we’ve kissed
Will still be there when I’ve forgotten what you look like
And you don’t remember me at all
Copies of your letters to me on blue paper
Written on the sky by an aeroplane over all the cities of
England
Copies of your poems stamped on eggs instead of lions
We will walk forever in the darkness under fern leaves
`Trees where you sit shall crowd into a shade’

The Blazing Hat, Part Two

This is the morning that we burnt a cardboard hat
flames licking the inside of the brim
This is the morning that the thunder hung like great
black flags over the city
stirred by gusts of wind
This is the morning that they opened a new motorway
leading from my house to yours
This is the morning that I decided I wasn’t getting enough
roughage
and went on a diet of broken milk bottles
This is the morning that Death left her cloak behind
after the party
This is the morning that a beautiful schoolgirl woke me
with a cup of coffee
in a vision
This is the morning that we saw
words written on water
This is the morning that beautiful girls with Renaissance
faces played Hindemith records
at dawn
This is the morning after the night
before
This is the morning after the night
had strewn Canning Street with purple toilet rolls
This is the morning that we saw a q.­year­old boy
whipping an imaginary blonde lovely
This is the morning that Death was a letter
that was never scented
This is the morning that the poet reached out for the
rolled­up Financial Times
followed by a dreadful explosion
This is the morning that you woke up 50 miles away
seeing sunlight on the water

and didn’t think of me
This is the morning that I bought 16 different kinds of
artificial lilies­of­the­valley
all of them smelling of you
This is the morning that we sat and talked
by the embers of the blazing hat.

Nightsong

So we’ll go no more a-raving
So late into the night
Though the heart be still as loving
And the neonsigns so bright

Ate my breakfast egg this morning
playing records from last night
woke to hear the front door closing
as the sky was getting light

No more fish-and-chips on corners
Watching traffic going by
No more branches under streetlamps
No more leaves against the sky

No more blues by Otis Redding
No more coffee no more bread
No more dufflecoats for bedding
No more cushions for your head

Though the night is daylight-saving
And the day returns too soon
Still we’ll go no more a-raving
By the light of the moon

Without You

Without you every morning would feel like going back to work after a holiday,
Without you I couldn’t stand the smell of the East Lancs Road,
Without you ghost ferries would cross the Mersey manned by skeleton crews,
Without you I’d probably feel happy and have more money and time and nothing to do with it,
Without you I’d have to leave my stillborn poems on other people’s doorsteps, wrapped in brown paper,
Without you there’d never be sauce to put on sausage butties,
Without you plastic flowers in shop windows would just be plastic flowers in shop windows,
Without you I’d spend my summers picking morosley over the remains of train crashes,
Without you white birds would wrench themselves free from my paintings and fly off dripping blood into the night,
Without you green apples wouldn’t taste greener,
Without you Mothers wouldn’t let their children play out after tea,
Without you every musician in the world would forget how to play the blues,
Without you Public Houses would be public again,
Without you the Sunday Times colour suppliment would come out in black-and-white,
Without you indifferent colonels would shrug their shoulders and press the button,
Without you they’s stop changing the flowers in Piccadilly Gardens,
Without you Clark Kent would forget how to become Superman,
Without you Sunshine Breakfast would only consist of Cornflakes,
Without you there’d be no colour in Magic colouring books,
Without you Mahler’s 8th would only be performed by street musicians in derelict houses,
Without you they’d forget to put the salt in every packet of crisps,
Without you it would be an offence punishable by a fine of up to £200 or two months’ imprisonment to be found in possession of curry powder,
Without you riot police are massing in quiet sidestreets,
Without you all streets would be one-way the other way,
Without you there’d be no one to kiss goodnight when we quarrel,
Without you the first martian to land would turn round and go away again,
Without you they’d forget to change the weather,
Without you blind men would sell unlucky heather,
Without you there would be
no landscapes/no stations/no houses
no chipshops/no quiet villages/no seagulls
on beaches/no hopscotch on pavements/no night/no morning/
there’d be no city no country
Without you.

In The Midnight Hour

When we meet
in the midnight hour
country girl
I will bring you night flowers
coloured like your eyes
in the moonlight
in the midnight
hour

I remember

Your cold hand
held for a moment among strangers
held for a moment among dripping trees
in the midnight hour

I remember

Your eyes coloured like the autumn landscape
walking down muddy lanes
watching sheep eating yellow roses
walking in city squares in winter rain
kissing in darkened hallways
walking in empty suburban streets
saying goodnight in deserted alleyways

in the midnight hour

Andy Williams singing We’ll keep a Welcome in the Hillsides’ for us When I meet you at the station The Beatles singingWe Can Work it Out’ with James
Ensor at the harmonium
Rita Hayworth in a nightclub singing `Arcade Mia’

I will send you armadas
of love vast argosies of flowers
in the midnight hour
country girl

when we meet

in the moonlight
midnight
hour
country girl

I will bring you

yellow
white
eyes
bright
moon
light
mid
night
flowers
in the midnight hour.

Adrian Henri’s Last Will And Testament

`No one owns life, but anyone who can pick up a Fryingpan owns death.’
William Burroughs

To whom it may concern:
As my imminent death is hourly expected these days/ carbrakes screaming on East Lancs tarmac/trapped in the blazing cinema/mutely screaming I TOLD YOU SO from melting eyeballs as the whitehot fireball dissolves the Cathedral/being the first human being to die of a hangover/ dying of over­emotion after seeing 20 schoolgirls waiting at a zebracrossing.

I appoint Messrs Bakunin and Kropotkin my executors and make the following provisions:

I leave my priceless collections of Victorian Oil Lamps, photographs of Hayley Mills, brass fenders and Charlie Mingus records to all Liverpool poets under 2 3 who are also blues singers and failed sociology students.

I leave the entire East Lancs Road with all its landscapes to the British people.

I hereby appoint Wm. Burroughs my literary executor, instructing him to cut up my collected works and distribute them through the public lavatories of the world.

Proceeds from the sale of relics: locks of hair, pieces of floorboards I have stood on, fragments of bone flesh teeth bits of old underwear etc. to be given to my widow.

I leave my paintings to the Nation with the stipulation that they must be exhibited in Public Houses, Chip Shops, Coffee Bars and the Cellar Clubs throughout the country.

Proceeds from the sale of my other effects to be divided equally amongst the 20 most beautiful schoolgirls in England (these to be chosen after due deliberation and exhaustive tests by an informal committee of my friends).

Adrian Henri
Jan. ‘64
Witnessed this day by:
James Ensor
Charlie `Bird’ Parker.

Liverpool Poems

I

GO TO WORK ON A BRAQUE!

2

Youths disguised as stockbrokers
Sitting on the grass eating the Sacred Mushroom.

3

Liverpool I love your horny­handed tons of soil.

4

PRAYER FROM A PAINTER TO ALL CAPITALISTS:
Open your wallets and repeat after me
`HELP YOURSELF!’

5

There’s one way of being sure of keeping fresh
LIFEBUOY helps you rise again on the 3rd day
after smelling something that smelt like other peoples’ socks.

6

Note for a definition of optimism:
A man trying the door of Yates Wine Lodge
At quarter past four in the afternoon.

7

I have seen Pare UBU walking across Lime St
And Alfred Jarry cycling down Elliott Street.

8

And I Saw DEATH in Upper Duke St
Cloak flapping black tall Batman collar
Striding tall shoulders down the hill past the Cathedral brown shoes slightly down at the heel

9

Unfrocked Chinese mandarins holding lonely feasts in
Falkner Sq gardens to enjoy the snow.

10

Prostitutes in the snow in Canning St like strange erotic
snowmen
And Marcel Proust in the Kardomah eating Madeleine
butties dipped in tea.

II

Wyatt James Virgil and Morgan Earp with Doc Holliday
Shooting it out with the Liver Birds at the Pier Head.

12

And a Polish gunman young beautiful dark glasses
combatjacket/staggers down Little St Bride St blood
dripping moaning clutches/collapses down a back jigger
coughing/falls in a wilderness of Dazwhite washing

Love Poem/Colour Supplement

It was our first great war
And after the first successful sortie
Into the nomansgland between her thighs
We waited anxiously every month
for poppysellers to appear in her streets

Mrs Albion You’Ve Got A Lovely Daughter (For Allen Ginsberg)

Albion’s most lovely daughter sat on the banks of the Mersey dangling her landing stage in the water.

The daughters of Albion
Arriving by underground at Central Station
Eating hot ecclescakes at the Pierhead
Writing ‘Billy Blake is fab’ on a wall in Mathew St
Taking off their navyblue schooldrawers and
Putting on nylon panties ready for the night

The daughters of Albion
See the moonlight beating down on them in Bebington
Throw away their chewinggum ready for the goodnight kiss
Sleep in the dinnertime sunlight with old men
Looking up their skirts in St Johns Gardens
Comb their darkblonde hair in suburban bedrooms
Powder their delicate little nipples/wondering if tonight will be the night
Their bodies pressed into dresses or sweaters
Lavender at the Cavern or pink at the Sink

The daughters of Albion wondering how to explain why they didn’t go home

The daughters of Albion
Taking the dawn ferry to tomorrow
Worrying about what happened
Lacing up blue sneakers over brown ankles
Fastening up brown stockings to blue suspenderbelts

Beautiful boys with bright red guitars
In the spaces between the stars

Reelin’ an’ a-rockin’
Wishin’ an’ a-hopin’
Kissin’ an’ -prayin’
Lovin’ an’ a-layin’

Mrs Albion you’ve got a lovely daughter.

Don’T Worry/Everything’s Going To Be All Right

Don’t worry
If your boyfriend doesn’t treat you right
baby
Everything’s going to be all right
come with me
And every poem I write will have your name in it
Don’t worry
If the factories and villas cover the countryside
Everything’s going to be all right
England will be given back to the animals
and we’ll find a home under fern leaves known only to foxes
Don’t worry
If I can’t afford to buy you coffee after school
Everything’s going to be all right
Soon the poem will replace the pound sterling as
international currency
and Britain Will get on the poem standard again
Don’t worry
About those lunatics in the government
Everything’s going to be all right
The country will be governed by beautiful girls under I8
(and you will let me carry your portfolio home from the
House)
Don’t worry About what happened the other night
Everything’s going to be all right
They’ll give you contraceptive pills shaped like jellybabies
with your milk at playtime
Don’t worry about what your Dad says about the younger generation
Everything’s going to be all right
There’ll be involuntary euthanasia for everyone over 30
not a poet painter or musician.
Don’t worry
About the rain
Everything’s going to be all right
The streets will be covered with tiny pink flowers
like the ones on your suspender belt
Bathing suits will be banned from beaches
School uniforms will be the only kind allowed in public
Your end‑of‑term report will be marked out of 100 for sex
appeal (and you will be Top of the Form)
Policemen will be beaten up by poets
Trade Unions will be taken over by workers
There’ll be 24‑hour licensing
And everything will be on the National Drink Service
your parents will wake us every morning with breakfast
Your teacher will smile at notes saying we stayed in bed late
Your face will be in every art gallery
Your name in every book of poetry
So Don’t
worry Everything’s going to be all right.

Song Of Affluence Or I Wouldn’T Leave My 8­roomed House For You

I wouldn’t leave my little 8­roomed house for you
I’ve got one missus and I don’t want two

I love you baby but you must understand
That feeling you’s fine and kissing you’s grand
But I wouldn’t leave my little wooden wife for you

Water tastes fine but money tastes sweeter
I’d rather have a fire than a paraffin heater
And
I wouldn’t change my little 8­roomed life for you.

Pictures From An Exhibition

(Painting and Sculpture of a Decade 54­G4 Tate Gallery London April­June 1964) No. 54 Jean Dubuffet ‘Déclinaison de la Barbe’ 1. 1959
‘as­tu cuilli les fleurs de la barbe?’
Jean Dubuffet I wander the dark pebbles of your mind
picking beardflowers.

No. 73 Joseph Cornell ‘Hotel de l’Etoile’
cool pillars of the hotel/in the
night outside the stars are always
so white/the sky is always so
blue/silver moon waiting patiently.

No. 84 Mark Rothko ‘Reds ­ No. 229 x957
SCARLET
ORANGE
ORANGE
ORANGE
SCARLET
CRIMSON
SCARLET

No. 291 Robert Rauschenberg ‘windward’ 1963
printed oranges are painted
painted oranges are painted
Angry skyline over the gasworks
A Hawk sits brooding inside a painted rainbow.
Nos. 10­13 Josef Albers, Studies for ‘Homage to the Square’ 1961 – 2
look.
see.

long ago.

now.

No. 314 Bernard Requichot ‘Sans Titre ­ Chasse de papiers choisis’
chasse aux papillons:
`Here Be Tygers’ –
the fruit in the tin has a thousand eyes.

No. 349 Jim Dine ‘Black Bathroom No. 2’ 1962
black splashes on the white walls
interrupting the commercials
TURN ON THE GLEAMING WHITE SINK
AND POEMS COME OUT OF THE TAPS!

No. 139 Victor Vasarely ‘Supernovae’ 1959 – 61

No. So Louise Nevelson ‘Sky Cathedral III’ 1960
Black
Black
Black
Boxes
Black
Light
Black
Moonlight
Black
Emptiness
Black
Dust< br>Black
Boxes
Black
Black
Black
< br>No. 247 Richard Diebenkorn ‘Ingleside’ 1963

Look through the Supermarket window/up the highway
the hill rises steeply/hoardings and magnolias bright
in the sunlight/white walls black freeways traffic signs
at intersections/green lawns dark hedges/colours
clear and bright as the packets in your wire basket.

Poem For Roger Mcgough

A nun in a supermarket
Standing in the queue
Wondering what its like
To buy groceries for two.

Country Song

`Lily of the Valley (Convalaria Majalis, fam. Lilliaceae). Grows wild in N. England. Commonly cultivated. Flowers in May. Berries red when ripe. Leaves particularly poisonous because three constituents depress the heart, like Foxglove.’

What are the constituents that depress the heart?
the scent of lilies in dark green silences under trees
milkweed and ragwort and sunshine in hedges
small flowers picked amongst trees when it’s raining

A year ago
You planted lilies in the valley of my mind
There were lilies at the bottom of my garden
And ferrys at the bottom of my street

Now
I sit here in sunlight with the smell of wild garlic
Trying to tape record the sound of windflowers and
celandines

Wondering What are the three constituents that depress the heart Without you here in the country?

On The Late Late Massachers Stillbirths And Deformed Children A Smoother Lovelier Skin Job

The seven­day beauty plan:
Avenge O Lord thy slaughter’d saints, whose bones
Will cause up to I million deaths from leukaemia
Forget not, in thy book record their groans
Now for the vitally important step.
Cream your face and neck a second time
No American president world­famous for beauty creams
responsible for the freedom and safety of so many young offenders
TODAY’S MEN OF ACTION
The Triple Tyrant Macmillan Kennedy Watkinson
The West governments are satisfied as to the moral
necessity to resume Racing from Newmarket
EXTRA SPECIAL!
Atmospheric testing: A test card is shown
continuously from to a.m. until 15 minutes
before slayn by the bloody Piemontese
why pay higher fares?
There is always trouble when President Kennedy the jovial
gravel­voiced little sailor
defends glamorous Olive Oyl from contamination of the
atmosphere
EXTRA MONEY
their moans The Vales redoubled to the Hills
Another fire blazes in the city of London AND ALL THAT
JAZZ
Do you draw your curtains with a walking­stick?
The mutation was caused by a heavy dose of radiation
received
by the Mother at Hiroshima
This baby’s eyes and nose had merged into
one misshapen feature in the middle of its
forehead, lost 6′ from Hips
sufferers can now wear fashion stockings
Early may fly the Babylonian wo
followed by
TOMORROW’S WEATHER
The Epilogue
close down.

Holcombe Poem/Poem For A Girl I Didn’T Meet

walking on the moors thinking about how I didn’t meet you yesterday
heather underfoot and mist over Pendle
the moor changing like an animal/brown to green grey to
purple with the weather
sky blue at the edges
like a letter that came too late .
. . . Undine rising from the maters her golden hair
dripping in the moonlight . . . dead bird on a fence blood
dripping from its neck . . . Isis ,searching the rushes
for her murdered lover . . . small girl with a fishing rod
in a rushing valley full of ferns . . . the last .supper
followed by the Four lust Desserts . . . watching the
white mocking figure at the edge of the DarkForest
. . . beating naked blond haired girls with
long stemmed purple flowers . . . Osiris judging
the dead mist rising up the valley seaweed tangled
in her moonlight hair . . .

trains
moving through valleys
chimneys
springing from hillsides
streams
tumbling through boulders
clouds
tilting from the horizon
and
me
on the moors thinking about the girl I never met.

Wild West Poems

Noon

2 tall gunmen walking slowly towards each other down Mathew St.

And then he grabbed her (for Leiber/Stoller and the Coasters)
And then
He tied her up
And then
He lit the fuse to the dynamite
And then
And then
AND THEN
ALONG CAME JONES . .

William H. Bonney alias Billy the Kid hitches his horse to a parking meter strides through the swing doors into Yates Wine Lodge. Barmaids slowly back away from the counter. Drunks rush out into Charlotte Street. He drinks a glass of Aussie White and strides out, silent as he came.

POEM FOR BLACK BART TO LEAVE BEHIND ON A STAGE COACH

I hope you ladies ain’t afraid Of the wicked man who made this raid But I’m like nature quick and cruel Believe me, gals, I need them jewels.

The Daltons riding down Church Street/Bullets ricochet off street signs/windows full of cardboard Walkers bottles shatter/Bob Grat Emmett thunder across traffic lights at red/hoof beats die away clattering down Lord Street.

FAQs: Adrian Henri Poems

Who is Adrian Henri?

Adrian Henri was a British poet, painter, and key figure in the 1960s Liverpool poetry scene. He is best known for his role in the Liverpool poets movement alongside Brian Patten and Roger McGough. Henri’s work combines elements of pop culture, music, and social commentary, often reflecting the changing cultural landscape of the 1960s and 1970s.

What themes are commonly found in Adrian Henri’s poetry?

Adrian Henri’s poetry covers a wide range of themes, including:

• Love and Relationships: Many of his poems explore the complexity of love, often blending romanticism with realism.
• Urban Life: Henri frequently writes about city life, capturing the vibrancy, struggles, and experiences of living in Liverpool.
• Pop Culture and Music: His work often incorporates elements of pop culture, including references to contemporary music, art, and societal trends.
• Social Commentary: Henri’s poetry frequently reflects on the social and political changes of his time, addressing issues like class, consumerism, and societal norms.

What makes Adrian Henri’s poetry distinctive?

Adrian Henri’s poetry is distinctive because of:

• Multimedia Approach: He often fused poetry with visual art, music, and performance, reflecting his background as a painter and performer.
• Pop Culture Influence: Henri’s work integrates popular culture, making it accessible and relatable, while also giving it a modern, avant-garde feel.
• Playfulness and Experimentation: His poetry is known for its playful use of language and structure, blending traditional poetic forms with experimental styles.
• Emotional Depth: Despite its often lighthearted and humorous tone, Henri’s poetry can also delve into deep emotional and existential themes.

How did Adrian Henri contribute to the Liverpool poets movement?

Adrian Henri played a major role in the Liverpool poets movement, which sought to make poetry more accessible and relevant to the general public, especially in a working-class context. Along with Brian Patten and Roger McGough, Henri contributed to the success of the anthology “The Mersey Sound”, which became one of the best-selling poetry anthologies in the UK. His work often blended poetry with live performance, which helped popularize spoken word as a dynamic art form.

What are some notable works by Adrian Henri?

Some of Adrian Henri’s most notable works include:

• “Tonight at Noon” – A collection of poems that explores love, time, and modern life.
• “Love Is” – A popular poem that uses repetition to explore the multifaceted nature of love.
• “The Entry of Christ into Liverpool” – This poem reflects Henri’s ability to blend social commentary with playful imagery, reimagining biblical narratives in contemporary settings.
• “Adrian Henri’s England” – A mix of poetry and art that captures his vision of modern England, filled with pop culture references and social reflection.

How does Adrian Henri’s poetry connect with visual art?

Adrian Henri was both a poet and a painter, and this duality is reflected in his poetry. He often used vivid imagery and visual metaphors to paint pictures with words. His background in visual art also influenced the structure of his poetry, leading to experimentation with layout and form. Henri’s work was also influenced by the pop art movement, blending high art with popular culture and making his poetry visually evocative.

How did Adrian Henri’s poetry reflect the 1960s counterculture?

Adrian Henri’s poetry is closely tied to the countercultural movement of the 1960s, reflecting the spirit of rebellion, experimentation, and a break from tradition. His work often critiques consumerism, societal norms, and politics, while celebrating the emerging youth culture. He integrated references to music, fashion, and art, aligning his work with the revolutionary cultural shifts happening during the time, particularly in the vibrant Liverpool scene.

What role did humor play in Adrian Henri’s poetry?

Humor is a central aspect of Adrian Henri’s poetry. He used wit and satire to comment on everyday life, relationships, and societal norms. His playful use of language and ironic tone allowed him to address serious topics in an engaging, often lighthearted way. Humor in Henri’s work serves as both a tool for entertainment and a means of subverting expectations, making his poetry approachable and thought-provoking.

How can readers engage with Adrian Henri’s poetry today?

Readers can engage with Adrian Henri’s poetry by:

• Reading Anthologies: Henri’s poetry is widely available in collections like “The Mersey Sound” and “Selected Poems.”
• Listening to Performances: Henri was known for his dynamic performances, and recordings of his poetry readings can bring his work to life.
• Exploring His Art: Given Henri’s background in visual arts, readers can also explore his paintings, which often complement the themes of his poetry.
• Connecting with Modern Pop Culture: Henri’s work remains relevant today because of its connections to pop culture, making it accessible to contemporary readers interested in the intersection of art, music, and poetry.

 What impact did Adrian Henri have on modern poetry?

Adrian Henri’s impact on modern poetry includes:

• Making Poetry Accessible: Henri, along with the Liverpool poets, made poetry more relatable to everyday people, breaking away from academic and elitist traditions.
• Fusion of Art Forms: His blending of poetry with art, performance, and music helped pave the way for modern spoken word and performance poetry movements.
• Cultural Commentary: Henri’s ability to mix humor, pop culture, and social critique influenced many poets who seek to address contemporary issues in an engaging and relatable way.